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Tuesday 14 July 2020
Cat: 655851 Rel: 14 Jul 20 • View all Synth modules
 
Filter & dual pendulum chaos generator module - 20HP
Notes: Studio Electronics' version of the boxy, Blade Runner-sweet and Boomstar-brash dual mode CS80 filter, initially married to the Omega Series Synths, and then tucked-in the 'Stars, now joins the Modstar Collective. They've twisted and turned the SE88 to unflatten the earth, so to speak; the original CS80 fed a HP filter into a LP filter, but with the SE88 your can select MODE 1's HP or BR to feed MODE 2's LP or BP, or patch it to reverse that pleasant path. The audio signal is completely controllable with input and output levels for each filter. Cherish and respect your filter's input gain stages, for a smooth yet often brassy sound - shed your mercy to strike hard for boiling, snarling bite, even to the blackout/cutout point (see Greg St. Regis, Tim Caswell, and Marc St. Regis' SEM filter commentary for a detailed diatribe on this "feature too far"); then and only then, uniquely blend mode settings for the filter family values you revere.

To get things merrily modulating, each filter employs attenuverters for frequency and resonance experimentation and decimation. While the SE88 does not self oscillate (Yamaha's creation didn't either), we did amp up the resonance level for full-throttle squelching. An additional master FM (frequency modulation) attenuverter-controlled level can feed both filters (when hungry enough) simultaneously, and tracking switches allow for individual keyboard response for each of the contrasting and complimentary filter modes.

Potentiometer Potential:
Five attenuverter and eight attenuation pots control the FREQUENCY MODE 1, FM IN, FREQUENCY MODE 2, RESONANCE, M1 FM, RESONANCE, M1 RES CV 1, M2 RES CV, INPUT, M2 FM, OUTPUT, LEVEL (M1 OUT), and LEVEL (M2 OUT).

Switch it Up:
2/3 - 1/3 TRACK (M1), FULL - HALF TRACK (M2), HP - BR, LP - BP.

Patch it Up:
Ten patch points: 1 V/O, FM IN, M1 FM, M2 FM, M1 RES CV, M2 RES CV, M1 IN, M1 OUT,
M2 IN, M2 OUT.

All Controls and Patch Points:
FREQUENCY MODE 1 - Adjusts the frequency, or cutoff of Mode 1.
2/3 - 1/3 TRACK - Toggles tracking options for Mode 1.
FM IN - Adjusts the master frequency modulation input.
FULL - HALF TRACK - Toggles tracking options for Mode 2.
FREQUENCY MODE 2 - Adjusts the frequency, or cutoff of Mode 2.
RESONANCE - Adjusts the resonance of Mode 1's filter.
M1 FM - Adjusts Mode 1's frequency modulation.
RESONANCE - Adjusts the resonance of the Mode 2's filter.
HP / BR - Toggles the High-Pass and Band-Reject option.
M1 RES CV - Adjusts Mode 1's resonance control voltage.
M2 RES CV - Adjusts Mode 2's resonance control voltage.
INPUT - Adjusts the master audio input.
M2 FM - Adjusts Mode 2's frequency modulation.
OUTPUT - Adjust the audio output.
1 V/O - One volt per octave control voltage input.
FM IN - Master frequency modulation input.
M1 FM - Mode 1 frequency modulation input.
M2 FM - Mode 2 frequency modulation input.
M1 RES CV - Mode 1 resonance control voltage input.
M2 RES CV - Mode 2 resonance control voltage input.
M1 IN - Mode 1 input.
LEVEL - Level control for Mode 1.
M1 OUT - Mode 1 output.
M2 IN - Mode 2 input.
LEVEL - Level control for Mode 2.
M2 OUT - Mode 2 output.

- Size: 20hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 42mA (+12 / -12)
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quote 655851
Cat: 655848 Rel: 14 Jul 20 • View all Synth modules
 
Ring modulator, noise generator & sample-and-hold generator module
Notes: SCI FI is an ingeniously vintage-circuit-inspired Richard Nicol/Pittsburgh Modular original - jump cut to Mattechmodular to see just how much fun can be wrung out of it!

As the reader might already know, ring modulation is a signal-processing electronic function: an implementation of amplitude modulation or frequency mixing, performed by multiplying two signals. This beloved other-worldly, warm, and at times clangourous colouring dates at least as far back to Bode's Melochord of 1947 technology, which was ultimately licensed to Robert Moog in the early 1960s. Of course analog maestros Don Buchla, and Lord Tom Oberheim made their indelible marks, with circuitry culminating - to our ears - in the brilliantly rhythmic, and wildly expressive Yamaha CS-80 Ringmod's sonic alchemy and "Electone" informed controls.

Back at the Modstar Ranch: The SCI FI's outputted ring-modulated signal is the sum and difference of the frequencies present in each waveform - a signal rich in partials - often producing a haunting, bell-like, metallic, and sometimes softly grinding, understated modulation awash in harmonic and non-harmonic tones. S.E. brought its own brand of dynamic ModMax Pedal-flavoured Ringmod to the world in 2002.

SCI FI is getting better all the time with its companion LFO FREQ (low frequency oscillator), true analog PINK, and digital WHITE noise, S & H - a true sample and hold generator, with RANGE control, and LAG generator - a slew limiter which craftily smooths out changes in audio or modulation signals: higher values = smoother signal flowing. This module is every bit as creamy sounding as it is electrically charged: the higher frequencies coat the sound with a sparkling quality one wouldn't naturally expect, but it is a welcome sound indeed.

Potentiometer Potential:
Six attenuation pots: RING MOD, LFO FREQ, WHITE, PINK, RANGE, and LAG.

Patch it Up:
Seven patch points: RM X IN, RM Y IN, GATE, SOURCE, RM OUT, WHITE, PINK, and S & H OUT.

All Controls and Patch Points:
RING MOD - Adjusts the ring mod depth.
LFO FREQ - Adjusts the rate of the sample & hold.
WHITE - Adjusts the white noise level.
PINK - Adjusts the pink noise level.
RANGE - Adjusts the sample & hold depth or intensity.
LAG - Adjusts the sample and hold lag or slew limiting (glide): in the circuit after the sample & hold and before the range attenuator.
RM X IN - Ring Mod X waveform input.
RM Y IN - Ring Mod Y waveform input.
GATE - External gate input for sample & hold.
SOURCE - External audio/CV input for sample & hold.
RM OUT - Ring Mod output.
WHITE - White noise output.
PINK - Pink noise output - the pink noise is normalled to the source input of the sample & hold.
S & H OUT - Sample & hold output.

- Size: 10hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 48mA, 41mA (+12 / -12)
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quote 655848
Cat: 781152 Rel: 14 Jul 20 • View all Synth modules
 
Eurorack module
Notes: The Afterneath Eurorack Module brings the Otherworldly sounds from the effects pedal world right into your modular synthesizer with an expanded feature set. The Afterneath module features one main audio input, one main audio output, an audio send and return for the Reflect feedback path, and nine controls. Four of the parameters are controllable via CV, and each has been equipped with a dedicated attenuverter to process the incoming CV. The Afterneath module has a completely analog dry signal path and a totally digital wet signal path.

1. Input: Adjusts the level of the incoming signal to allow for signals ranging from instrument-level (clockwise) to modular-level (counterclockwise).

2. Dampen: Controls the tone of the wet signal. Clockwise for darker tones, counterclockwise for brighter tones.

3. Reflect: Controls the regeneration of the reverb, turn clockwise for more wash and echoes, counterclockwise for less. This will self-oscillate if turned up high. Acts as an attenuator when there is a signal patched into the Reflect Return jack.

4. Mix: Controls the amount of wet signal that is mixed with the dry signal. Though it does not actually go completely wet, you can achieve a fully wet signal by engaging the Dry Kill switch.

5. Dry Kill: Eliminates the dry signal from the output, leaving only the wet signal.

6. Drag: This digital reverb is made up of a bunch of short delays, Drag separates the delay lines creating a stuttering, pingy effect. This is the coolest control on the Afterneath; we highly advise slowly turning (or modulating) this while you let notes ring out for a cool warped speed effect. The effect is more delay-like as you turn it counterclockwise, and it is more reverb-like as you turn it clockwise. You will achieve shorter delay times as you move the control clockwise, and longer delay times when you turn the control counterclockwise. You will notice a change in pitch when adjusting this control with sound present in the effects buffer, or when the effect is self-oscillating.

7. Mode: Controls the behavior of the Drag control as well as how it responds to control voltage. There are 9 different modes (see the following Modes section for explanations).

8. Diffuse: Smooths and diffuses the delay repeats. Sharper transients with more attack counterclockwise, more ambient, reverb-like and washy as you turn it clockwise.

9. Length: Controls the decay length of the reverb.

10. Mode LED: Visually indicates the current mode.

11. Drag CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

12. Mode CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

13. Diffuse CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

14. Length CV Attenuverter: Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o'clock position.

15. Drag CV Input: Allows modulation of the Drag control using external CV.

16. Mode CV Input: Allows modulation of the Mode control using external CV.

17. Diffuse CV Input: Allows modulation of the Diffuse control using external CV.

18. Length CV Input: Allows modulation of the Length control using external CV.

19. Audio Input: Accepts audio signals ranging from instrument-level to modular-level, using the Input knob to adjust the level.

20. Reflect Send: Allows external patching and processing of the Reflect feedback path. Patching from this output does not interrupt the internal feedback path.

21. Reflect Return: Allows return of the externally patched and processed Reflect feedback path. Also, it can be used as an additional audio input if you wish to forgo the feedback. The Reflect knob acts as an attenuator for the audio that is patched to this input. Please note that processing of the Reflect feedback path can easily result in self-oscillation when processing with effects such as distortion or a resonant filter. The Reflect knob can be used to compensate for this factor. Patching a cable to this input will disconnect the internal feedback path, but the Reflect Send will still be active.

22. Audio Output.
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quote 781152
Cat: 655797 Rel: 14 Jul 20 • View all Synth modules
 
Analog amplifier module in Eurorack format - 8HP
Notes: The amplifier (AMP) is a 2 stage Class A discrete design using 3 pairs of hand matched transistors. Envelope is usually applied to ST1/1. ST1/2 goes thru an attenuverter and can be used for envelope or modulation. ST2/1 goes to the 2nd stage, and is typically used for volume control. ST2/2 goes thru an attenuverter and is typically used for modulation.

The AMP, the 5089, and the 3003 are Class A circuits. They draw more current from the +12 rail than from the -12 volt rail. If the system power supply is under-sized, hum or buzz may be heard. In that case, larger filter capacitors and/or a larger power transformer will be needed. The 4075 draws equally from both rails, and is more immune to hum. Like our filters Boomstar Modular AMPs are hand-built entirely in the U. S. of A - just ask Rachael Herbison!

Potentiometer Potential:
Two attenuverters and two attenuation pots control the INPUT, ST1 CV2, ST2 CV2, and OUTPUT, delivering smooth, detailed, and complex expression.

Switch it Up:
Uber useful continuous hypnotic DRONE for endless sustain/release, and DRIVE - the overdrive circuit from the Boomstar desktop - for last stage energy, bite, soft clipping, and gonzo '70's era "Distortion Plus" crunchy fuzz.

Patch it Up:
Six patch points: INPUT, ST1 CV1, ST1 CV2, ST2 CV1, ST2 CV2, OUTPUT direct the deepest manipulation.

All Controls and Patch Points:

INPUT - Adjusts the audio input
ST1 CV2 - Adjusts stage 1, control voltage 2
ST2 CV2 - Adjusts stage 2, control voltage 2
DRONE - Sustains the last note received
DRIVE - Final output stage overdirve/saturation
OUTPUT - Adjusts the audio output
INPUT - Audio input
ST1 CV1 - Stage 1, control voltage 1 input
ST1 CV2 - Stage 1, control voltage 2 input
ST2 CV1 - Stage 2, control voltage 1 input
ST2 CV2 - Stage 2, control voltage 2 input
OUTPUT - Audio output

- Size: 8hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 35mA, 12mA (+12 / -12)
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quote 655797
Cat: 784016 Rel: 14 Jul 20 • View all Synth modules
 
Power supply module
Notes: The Source D'Energie is a power supply module designed to power up to a 6U case with +/-12v and 5v rails. Wall wart plugs can be used for a skiff or case with few modules, but for anything more than that, a 4A power supply such as this one is recommended. The Source D'Energie has two 16 pin headers, perfect for powering two rows of your system. LED's on the panel indicate the health of each rail at a glance.

Tech Specs:
- 5hp Eurorack
- 13.5-15 VDC Input
- +12 @ 1.5A / -12 @ 1A / 5v @ 500ma
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quote 784016
Notes: The Hoof Reaper features Earth popular Hoofr and Tone Reaper fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that Earth Quaker decided to reintroduce it back into their line. Capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps. Each effect can be used individually as well as in series but the order of effects is preset for optimum performance.

Controls:
Hoof
1. Level: Controls the output volume

2. Fuzz: Controls sustain and gain

3. Tone: Treble to the right. Bass to the left

4. Shift: Controls the mid frequencies. More pronounced to the left. Scooped to the right.

Tone Reaper
5. Level: Controls the output volume

6. Fuzz: Controls the sustain and nature

7. Tone: Treble to the left. Bass to the right

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 18 mA

Hoof
Input Impedance: 130 kO
Output Impedance: <10 kO

Tone Reaper
Input Impedance: 47 kO
Output Impedance: <1 kO

Octave
Input Impedance: 160 kO
Output Impedance: <10 kO
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quote 781683
Cat: 781741 Rel: 14 Jul 20 • View all Effects pedals
 
Pedalbord reconciiler pedal
Notes: Swiss Things combines two true-bypass Flexi-Switchr enabled effects loops, a Flexi-Switchr AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost with adjustable gain, an expression pedal output for volume control and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box that lives at the top-right corner of your pedalboard and really ties your rig together without any signal loss.

This is what you can do with it:

Use as many pedals as you'd like without tone-suck

Quickly and easily bypass or engage all of your effects with one click

Use Flexi-Switchr Technology with every pedal in your setup

Eliminate volume pedal tone-suck by using any expression pedal to control volume

Use multiple amps without phase issues, ground loops, or extra noise

Tidy up your rig, shorten cable runs, and reduce tone loss by keeping all inputs and outputs in one location

Controls:

Here's what the footswitches do:
1. Loop 1: Press this to engage Loop 1. It features Flexi-Switchr Technology and is unbuffered for use with all distortion, overdrive, and fuzz pedals, or anything else that doesn't like being buffered.

2. Loop 2: Press this to engage Loop 2. It also features Flexi-Switchr Technology and is buffered for use with time-based effects (delay, reverb, modulation, etc.).

Note: when nothing is plugged into Loop 2, it functions as a mute.

3. Boost: press this to activate the boost. It is Flexi-Switchr Technology enabled and provides up to 20dB of clean boost post-effects loops and is intended for use as an output booster.

4. A/B: selects between Output A and Output B.

Note: Output B is transformer-isolated and includes a Phase switch for use with pedals and/or amplifiers which invert phase.

5. Both: activates Output A and Output B at the same time and features Flexi-Switchr Technology

Here's what the input, output, send, return, and expression jacks are for:
6. Input: plug your instrument in here.

Note: If you have any "always-on" pedals (compressors, preamps, EQs, etc.) place them before Swiss Things' input.

7. Loop 1 Send: Plug this into the input of the first pedal in the octave/overdrive/distortion/fuzz section of your board.

8. Loop 1 Return: Plug the output of the last pedal of the octave/overdrive/distortion/fuzz section into this jack.

9. Loop 2 Send: Plug this into the input of the first pedal in the modulation section of your board.

10. Loop 2 Return: Plug the output of the last pedal of your modulation section into this jack.

11. Tuner Output: Connect this to the input of your tuner.

Note: Tuner must be always turned on. If you bypass your tuner, you may experience ground loops or hum.

12. Volume EXP: Connect any expression pedal to this output to control volume.

Note: Most volume pedals create "tone-suck" by loading the signal down and have limited travel. This solves that problem with a buffered output and allows you to use any expression pedal with the same results. The expression jack is placed after the "dirt" effects loop (Loop 1) which allows you to change volume levels without affecting gain.

13. Output A: connect this to the input of your amplifier.

14. Output B: connect this to the input of a separate amplifier to use multiple amps and/or to play in stereo.

Note: To use Swiss Things with stereo effects, they should be placed after Outputs A & B and both outputs must be selected using the Both switch.

Note: Output B is transformer-isolated and includes a Phase switch for use with pedals and/or amplifiers which invert phase.

Note: To use stereo effects after Swiss Things, do not have the Phase switch engaged otherwise the L & R inputs of your stereo effects will be out of phase.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 40 mA
Input Impedance: 1 MO
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quote 781741
Notes: After loads of requests, for an overdrive based on the legendary TS808, Earth Quaker Devices finally buckled. Tests were ran with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, Earth Quaker Devices used their ears and came up with the most versatile relative of the 808 available today.

With 6 different clipping voices, 5 bandwidth settings and 2 gain channels, you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The Palisades is a versatile dude that will give you years of loving companionship.

Controls:
1. Boost: Sets the level of the output boost.

2. Gain A: Sets the gain for the Channel A (lower gain)

3. Volume: Sets the output level.

4. Gain B: Sets the gain for Channel B (higher gain)

5. Tone: Brighter clockwise, warmer counterclockwise.

Rotary Switches

6. Voice: This sets the nature of the Palisades distortion by changing the clipping diodes.

No diodes: The most open and least distorted.

LED clipping: Light clipping with a lot of volume.

Mosfet clipping: Light gain OD with great harmonics.

Asymmetrical Silicon clipping: Tighter light gain OD closest to stock 808.

Symmetrical silicon clipping: Tighter distorted tone.

Schottky Diode clipping: Looser fuzzy tone.

7. Bandwidth: This sets the overall tone and gain structure of the Palisades. 1 is the thinnest setting with the least amount of gain and 5 is the fattest setting with the heaviest gain. Everything else is in between. This control has a major effect on all the settings of the Palisades, especially the Gain and Voice controls.

Toggle Switches

8. Normal/Bright: Normal is a warm full tone. Bright is livelier tone with more chime.

9. Buffer: Turns the input buffer on or off. ON is a tighter and brighter tone while OFF is a warmer tone with more sag. The buffer is part of the drive circuit & is only available when the Palisades is activated.

Foot Switches

10. Boost: Activates the output level boost, Features Flexi-Switching.

11. Gain B: Activates Gain Channel B, Features Flexi-Switching.

12. Activate: True bypass switch

Tech Specs:
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 500 kO
Output Impedance: <10 kO
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quote 781697
Notes: Welcome to the first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching. Like all EarthQuaker Devices pedals, this dude is handmade one at a time in sunny Akron Ohio.

1. Rate: Adjusts the speed of the sequence.

2. Up/Up-Down/Down Toggle: Switch to control the direction of the sequence. All the way left is up, the sequence will continually repeat going up. In the middle is up/down, the sequence will continually repeat going up then back down. All the way right is down, the signal will continually repeat going down.

3. Step: Selects how many notes there are in the sequence.

4. Wet: Level control for the effect signal. Unity is around noon.

5. Mode: 8 position selector switch to choose the octave and key:

Major: -1 octave to root.

Major: root to +1 octave.

Major: -1 octave through +1

Major: Random pattern

Minor: -1 octave to root.

Minor: root to +1 octave.

Minor: -1 octave through +1

Minor: Random pattern

6. Dry: Level control for the dry signal. Unity is around noon.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 65 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!
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Cat: 781154 Rel: 14 Jul 20 • View all Effects pedals
 
Vibrarto pedal
Notes: Aqueduct is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind's eye.

Controls
The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitch rises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation.

Modes
Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin'.

Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.

Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.

Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.

Random: This waveform isn't a waveform at all as much as it's a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a "warped record" effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.

Env D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.

Env R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. The LFO uses a sine waveshape. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.

Env P: This is Envelope-Controlled Pitch mode, which has been lovingly nicknamed "The My Bloody Valentine setting". If your instrument doesn't have a tremolo bar, it does now. In this mode, the LFO is set to a sine waveshape, and frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favor and try this one with Flexi-Switching™.
Depth sets the wet/dry mix. This is the only mode that contains a wet/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50/50 mix with a small amount of phase cancellation.
Rate sets the sensitivity and overall range of the pitch bend.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 68 mA

Input Impedance: 1 MO

Output Impedance: <10 kO
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quote 781154
Cat: 781605 Rel: 14 Jul 20 • View all Effects pedals
 
Octave synth pedal
Notes: The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.

Controls:
1. Level: Master volume

2. Filter: Tone control more highs clockwise, more warmth counterclockwise

3. Base: Squared input signal level

4. Sub: Two octaves down level

5. Down 1: One octave down level

6. Up 1: One octave up level

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 50 kO
Output Impedance: <500 O
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quote 781605
Notes: Park Amplifiers and Earth Quaker Devices have teamed up to bring you a faithful recreation of the original Park Fuzz Sound! While it retains the original sounds, there are several modern upgrades to improve performance, reduce extraneous background noise and add versatility:

Metal film resistors and caps for quieter performance.

NOS matched germanium transistors for consistent, reliable tones

Wider fuzz range, more than twice the original

Smaller footprint, true bypass switching with LED indication and power supply compatible

Controls:
1. Volume: This is the level control, louder to the right, quieter to the left.

2. Treble/Bass: This is the tone control, thicker tones to the right, brighter to the left.

3. Fuzz: This is the gain control, more fuzz to the right, less to the left.

Tech Specs:
This device can be powered by a standard 9 volt DC power supply intended for musical instruments with a negative center 2.1mm barrel or a 9v battery. Even though this pedal is a germanium fuzz, it will play nice on a daisy chain due to it's internal voltage regulation.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 3 mA
Input Impedance: 100 kO
Output Impedance: <1 kO
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quote 781700
Cat: 781720 Rel: 14 Jul 20 • View all Effects pedals
 
Chorus pedal
Notes: The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That's a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that'll help you reel in the big one.

The Sea Machine ain't no one-trick seahorse. With a mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you're a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven.

Controls:
1. Animate: How far the pitch shifted signal swings, lower levels equals a tighter and more focused shift a la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge.

2. Dimension: Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance that will lead to self-oscillation at max.

3. Intensity: Adjusts how much modulated signal is blended in with the dry signal. Unity for this control is right around noon, everything above that is boosting the modulated signal.

4. Depth: Adjusts how strongly the LFO modulates the delay time.

5. Shape: Goes from triangle wave to square wave as you turn clockwise.

6. Rate: This sets the speed of the LFO. The miniature LED will blink to the tempo, even in bypass mode.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 40 mA
Input Impedance: 10 kO
Output Impedance: <1 kO
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Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO
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quote 781647
Cat: 781694 Rel: 14 Jul 20 • View all Effects pedals
 
Organ emulator pedal
Notes: The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums. If it makes sound, the Organizer can handle it! The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path.

Controls:
1. Up: Level control for the octave up.

2. Down: Level control for the octave down.

3. Choir: This control takes a mix of the octave Up and octave Down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a "church organ" like feel. This control only works if the octave Up and octave Down are in use.

4. Lag: Delay control for the wet signal. Full counterclockwise is minimal delay. Delay time increases as it rotates clockwise.

5. Tone: Rolls off the high end as you dial it counterclockwise.

6. Direct: Level control for the analog dry signal.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 81 mA
Input Impedance: 1 MO
Output Impedance: 500 O
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Cat: 781758 Rel: 14 Jul 20 • View all Effects pedals
 
Overdrive manipulator pedal
Notes: Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee.

This mild-mannered light to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood's Level control has enough output on tap to alert the proper authorities. Even the FBI.

Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there's always music in the air, and the birds sing a pretty song.

Controls:
1. Level: Adjusts Westwood's output level. Clockwise is loud, counterclockwise is quiet.

2. Drive: Adjusts the amount of overdrive. Clockwise is dirty, counterclockwise is clean.

3. Bass: Selects amount of low frequencies around 80Hz. Clockwise to boost, counterclockwise to cut.

4. Treble: Selects amount of high frequencies around 2kHz. Clockwise to boost, counterclockwise to cut.

Tech Specs:
Switching
This device is true bypass and uses electronic relay based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw 18 mA
Input Impedance 1 MO
Output Impedance <1 kO
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quote 781758
Notes: The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage "repeat percussion" unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic "50's style" shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!

Controls:
1. Depth: This adjusts how much the oscillator affects the signal. All the way clockwise produces a full chop, all the way counterclockwise produces no chop and the Hummingbird can be used as a simple JFET booster.

2. Mode: Three way toggle switch which selects the range of the oscillator. Mode 1 is slow, Mode 2 is mid tempo and Mode 3 is fast.

3. Rate: This adjusts the speed of the oscillator. Faster clockwise, slower counterclockwise.

4. Level: Adjusts the output volume

5. Expression Jack: Use an expression pedal to adjust the rate with your foot! When an expression pedal is in use the Rate control is defeated. We recommend the Moog EP-2 expression pedal.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 50 kO
Output Impedance: <10 kO
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Cat: 781748 Rel: 14 Jul 20 • View all Effects pedals
 
EQ & boost pedal
Notes: This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.

So what does that mean, exactly? It means that you'll hear full frequency response from your Tone Job everywhere you plug it in - guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!

The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job's EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.

Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you'll always be heard, and makes for a fantastic solo and/or clean boost!

Controls:
1. Level: Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o'clock.

2. Treble: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.

3. Bass: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.

4. Middle: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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Cat: 781743 Rel: 14 Jul 20 • View all Effects pedals
 
Octave up pedal
Notes: The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we'd like to know too). What's better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.

Tech Specs:
Flexi-Switch Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.00 in. (121 x 64 x 51 mm) with footswitch
Current Draw: 10 mA
Input Impedance: 100 kO
Output Impedance: <1 kO
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quote 781743
Notes: The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!

Since tone is in the hands, the controls of the Acapulco Gold are as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right?

Big Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL, the Acapulco Gold is extremely loud!

With your guitar's volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.

How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 18 mA

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Cat: 781561 Rel: 14 Jul 20 • View all Effects pedals
 
Pre-amp booster pedal
Notes: The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

Level: Adjusts Arrows output level. Clockwise is loud, counterclockwise is quiet.

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally receommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 8 mA
Input Impedance: 10 MO
Output Impedance: <10 kO
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quote 781561
Monday 13 July 2020
Cat: 781493 Rel: 13 Jul 20 • View all Studio monitors
 
2 way active monitor
Notes: Experience the true sound of your mix with the astonishing performance and versatility of the 8040B.

Active Crossovers

Directivity Control Waveguide (DCW) Technology

SPL

105 dB

Frequency Response

41 Hz - 21 kHz (-6dB)

Dimensions

H 365 x W 237 x D 223 mm, with Iso-Pod (view in inches)

Pristine performance
The choice of recording professionals the world over, the 8040B's pristine performance extends to an SPL of 105 dB and reaches right down to 41 Hz. This is a nearfield monitor that can provide truthfulness and energy in equal measures.

Speed and accuracy
The 8040B's recycled aluminium cabinet design combines transparent, uncoloured audio quality with a unique aesthetic beauty. You'll work with speed and accuracy, producing mixes that translate beautifully. And when you've finished, our Intelligent Signal Sensing (ISS) circuitry will automatically switch the 8040B into a green, power-saving standby mode.

Key Technologies

Active Crossovers

Directivity Control Waveguide (DCW) Technology

Intelligent Signal Sensing (ISS) Technology

Iso-Pod Stand

Minimum Diffraction Enclosure (MDE™) Technology

Optimized Amplifiers

Protection Circuitry

Reflex Port Design

Room Response Compensation

Versatile Mountings

Package contains:
1 x 8040B Studio monitor
1 x Operating manual
1 x Mains cable 1,8 m

Technical Specifications

SPL
105 dB

Amplifier Power
90 W Bass (Class AB) + 90 W Treble (Class AB)

Frequency Response
41 Hz - 21 kHz (-6 dB)

Accuracy of Frequency Response
i 2 dB (48 Hz - 20 kHz)

Driver Dimensions
165 mm Bass + 19 mm Treble (view in inches)

Dimensions
H 365 x W 237 x D 223 mm, with Iso-Pod (view in inches)

Weight
9.4 kg / 20.7 lb

Connections
1 x XLR Analog Input
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Cat: 781291 Rel: 13 Jul 20 • View all Studio accessories
 
Colour-coded rings for RØDECaster Pro microphone channels
Notes: The XLR-ID is a set of eight colour-coded rings that can be affixed to any XLR plug to assist with cable identification. The colours of the rings match the colours used for each of the microphone channels on the RØDECaster Pro.
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Cat: 781299 Rel: 13 Jul 20 • View all Audio adapters
 
Headphone adapters for RØDECaster Pro
Notes: The HJA-4 is a pack of four high-quality adaptors for converting headphones with 3.5mm plugs (as used on most consumer devices) for use with equipment that has the larger 1/4" headphone sockets. They are particularly suitable for connecting headphones to the RODECaster Pro and the AI-1.

Dimensions (mm):
45mm W x 10mm H x 10mm D (each)
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EBS
Cat: 783270 Rel: 13 Jul 20 • View all MIDI cables & adapters
 
MIDI cable
Notes: The BlueDot MIDI cables are a unique design that allows for flexible angle of the contact that is desirable when space is limited.

Flip the angle of the contact 90 degrees either way or leave it straight. A blue bracket attaches the cable to the angled positions with a click.

The flat cable design fit within the EBS unmatched space-saving accessories program.

Flexible contact angle.

Flat cable design.
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 1 in stock $8.36
Cat: 781279 Rel: 13 Jul 20 • View all Audio cables
 
TRRS to TRRS cable for RØDECaster Pro
Notes: The SC9 is a high quality 3.5mm TRRS to TRRS cable designed to connect a wide range of audio devices. At 1.5 metres long, it is particularly suitable for connecting a smartphone to the RODECaster Pro Podcast Production Studio.

Output: 3.5mm TRRS
Input: 3.5mm TRRS
Length: 1.5m
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Cat: 782271 Rel: 13 Jul 20 • View all Synth modules
 
Synthesiser module
Notes: 20HP hardwired synth voice for fast set up times, with a decidedly East Coast feel.

Monograf is a fixed signal path monophonic synth voice with many unique features, including a number of patch points for flexibilty within a modular setting. Our aim was to design the simplest full featured and good sounding single VCO synth within as small a space as possible, while offering a broad sonic palette and fast setup times. Monograf includes the following elements:

Onboard LFO for PWM, and onboard sub osc for thick and juicy synth lines

Super stable AS3340 based VCO featuring sawtooth, triangle and square waveforms, as well as rotary switch control of octaves and an onboard LFO for PWM. Features highly accurate 1V/octave tracking, as well as extenal CV control of linear FM.

Sub oscillator featuring -1 octave and -2 octave square waveforms. Add a big bottom to your sound.

5 toggle switches for fast waveform selection, allows for super quick changes. Additionally, the triangle waveform is routed directly to the VCA, bypassing the VCF, to maintain a rumbling low end with higher resonance settings, this is a little known modular trick which was practised by the ancients.

12dB/octave OTA lowpass VCF based upon ARP Odyssey Mk1 'whiteface'. A very characterful VCF with cutting resonance whose audio inputs can be driven into clipping via a dedicated Drive control. The chosen level of drive can have a profound effect over the character of the filter, and heavy drive will saturate the input while simultaneously reducing resonance. Cutoff frequency can be controlled manually, from the LFO, from the ADSR, normalised from a 1V/oct source, or from an external CV.

Vintage ARP style VCA with gated/ADSR/drone options via two toggle switches.

AS3310 based ADSR for super snappy envelopes. CV control of envelope output is available for velocity controlled dynamics etc.

5V draw: 0mA
Depth: 35mm
Width: 20HP
12V draw: 38mA
-12V draw: 34mA
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quote 782271
Cat: 782283 Rel: 13 Jul 20 • View all Synth modules
 
DSP effects module
Notes: Stasis Leak is a 6HP 48kHz DSP effects module, providing a choice of stereo chorus, stereo plate reverb and tap tempo delay. Stasis Leak is based around a Belton ABE-FX sub board, which in turn is based around a Coolaudio V1000 chip.

Time control
This knob controls a different function for each of the three effects (see chart at bottom). It is also associated with its own CV input, and when a jack is inserted into the CV input, the knob serves to attenuate incoming control voltages. This CV input responds to 0V to 5V signals.

Density control
This knob controls a different function for each of the three effects (see chart at bottom). It is also associated with its own CV input, and when a jack is inserted into the CV input, the knob serves to attenuate incoming control voltages. This CV input responds to 0V to 5V signals.

Tone control
This knob works on each of the three different effects as a simple lowpass filter, cutting the highs in the effected signal, and helping to provide definition between the dry and wet signal.

Wet control
This knob controls the amount of effected signal that is mixed with the dry signal. Dry is always 100%. On the rear of the module there is a Dry Lift jumper, this can come in useful when Stasis Leak is used in a send/return effects loop.

Tap/Sync In
These functions only apply to the delay effect, where they may be used to set the delay time, either manually, or via an incoming clock.

Left Out/Right Out
These two outputs may be used in conjuction for full stereo outputs of the chorus and reverb effects. The delay effect is mono, and either of the outputs may be used. For best results when using the chorus in a mono signal path, the left and right signals, which are 90o out of phase with each other, should be combined using a small mixer such and Process 26 or Volts Platz.

Depth: 35mm
12V draw: 96mA
Width: 6HP
-12V draw: 14mA
5V draw: 0mA
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MRP:$210.94 SAVE 31%
 1 in stock $145.44
2hp
Cat: 766649 Rel: 13 Jul 20 • View all Synth modules
 
Compressor module
Notes: Compressor with side chain functionality.
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MRP:$154.44 SAVE 17%
 2 in stock $128.69
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quote 766649
2hp
Cat: 766648 Rel: 13 Jul 20 • View all Synth modules
 
Compressor module
Notes: Compressor with side chain functionality.
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MRP:$154.44 SAVE 17%
! low stock $128.69
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quote 766648
Cat: 782282 Rel: 13 Jul 20 • View all Synth modules
 
Snare drum module
Notes: Seismograf is a PIC based drum module featuring coding by Jetroid. There is currently a choice of two PICs which may be used with Seismograf, 'BD' and 'SD'. As you might expect, BD contains a range of 8 bass drums, while SD contains a range 8 of snare drums. The drum sounds are 10 bit encodings of some of Frequency Central's favourite electronic kits from yesteryear. It is not possible for the user to load their own sounds onto Seismograf PICs, but there is a chance that we may release alternative drum sets as the years roll (!) by.

Select
This knob is used to select one of the 8 sounds to be triggered. It has a CV input associated with it, and when a jack is inserted into the CV input, the knob is used to attenuate the incoming control voltage. This CV input responds to 0V to 5V signals.

Tune
This knob may be used to detune the drum sound either upwards or downwards. It has a CV input associated with it, and when a jack is inserted into the CV input, the knob is used to attenuate the incoming control voltage. This CV input responds to 0V to 5V signals.

Distort
This knob may be used to introduce either one of two different types of distortion to your chosen drum sound. When set to the mid position (12 o'clock) no distortion is present. Turning the knob anti-clockwise will cause the sound to be progressively clipped harder, while turning the knob clockwise will cause the sound to be progressively more bitcrushed. This knob has a CV input associated with it, and when a jack is inserted into the CV input, the knob is used to attenuate the incoming control voltage. This CV input responds to 0V to 5V signals.

Secret Sauce
Try running the sawtooth output of an audio rate VCO into Seismograf's trigger input, then wiggle the Tune knob manually, or apply a control voltage to the Tune input. Seismograf acts almost like a fliter, and perhaps more akin to oscillator sync. As the incoming trigger is so fast, Seismograf only gets to play the initial part of it's waveform, less on high notes, more on low notes. Additionally, there is naturally higher frequency content the higher the note and so forth. Whatever's going on, it sounds awesome. More than just a drum module, right?
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MRP:$150.67 SAVE 23%
 1 in stock $116.13
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quote 782282
Cat: 782279 Rel: 13 Jul 20 • View all Synth modules
 
Bass drum module
Notes: Seismograf is a PIC based drum module featuring coding by Jetroid. There is currently a choice of two PICs which may be used with Seismograf, 'BD' and 'SD'. As you might expect, BD contains a range of 8 bass drums, while SD contains a range 8 of snare drums. The drum sounds are 10 bit encodings of some of our Frequency Central's favourite electronic kits from yesteryear. It is not possible for the user to load their own sounds onto Seismograf PICs, but there is a chance that we may release alternative drum sets as the years roll (!) by.

Select
This knob is used to select one of the 8 sounds to be triggered. It has a CV input associated with it, and when a jack is inserted into the CV input, the knob is used to attenuate the incoming control voltage. This CV input responds to 0V to 5V signals.

Tune
This knob may be used to detune the drum sound either upwards or downwards. It has a CV input associated with it, and when a jack is inserted into the CV input, the knob is used to attenuate the incoming control voltage. This CV input responds to 0V to 5V signals.

Distort
This knob may be used to introduce either one of two different types of distortion to your chosen drum sound. When set to the mid position (12 o'clock) no distortion is present. Turning the knob anti-clockwise will cause the sound to be progressively clipped harder, while turning the knob clockwise will cause the sound to be progressively more bitcrushed. This knob has a CV input associated with it, and when a jack is inserted into the CV input, the knob is used to attenuate the incoming control voltage. This CV input responds to 0V to 5V signals.

Secret Sauce
Try running the sawtooth output of an audio rate VCO into Seismograf's trigger input, then wiggle the Tune knob manually, or apply a control voltage to the Tune input. Seismograf almost acts like a filter, probably more akin to oscillator sync. As the incoming trigger is so fast, Seismograf only gets to play the initial part of it's waveform, less on high notes, more on low notes. Additionally, there is naturally higher frequency content the higher the note and so forth. Whatever's going on, it sounds freaking awesome. More than just a drum module, right?

Depth: 35mm
Width: 4HP
12V draw: 30mA
-12V draw: 2mA
5V draw: 0mA
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MRP:$150.67 SAVE 23%
 1 in stock $116.13
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quote 782279
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