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Notes: MCV4 is a budget-priced MIDI-to-CV-Interface to control vintage monophonic synthesizers via MIDI. MCV4 is provided with 4 analogue control voltage outputs (CV1...4) and one Gate/Trigger output.

These are the most important MCV4 features:
4 analogue control voltages CV1...CV4
Voltage range for CV1...4: 0...+5V, 8 Bit resolution (equivalent to 1/4 semitone resolution)
CV1 for pitch control (normally VCO CV)
CV2...4 for voltage control of other functions (e.g. VCF frequency, loudness, modulation)

MIDI control of CV1..4:
CV1: note on/off with pitch-bend, 1V/octave characteristic
CV2 monophic after-touch
CV3 velocity and/or volumen (controller #7)
CV4 velocity and/or any controller (setting of the controller number via learn button)

Pitch-bend is used for CV1 generation with 1/4 semitone resolution
Gate output type can be selected via jumper inside the device between voltage trigger (+5V or power supply voltage) and S-trigger (switched trigger)
MIDI channel and reference note for CV1=0V adjustable via learn button
Different assign modes for CV1 (highest note, last note, reference note)
Retrigger on/off while playing legato
Gate/trigger polarity normal/inverted
Two 1/4" stereo jack sockets for CV1/2 and CV3/4
1/4" mono jack socket for gate/trigger
Learn button with LED for adjusting MIDI channel, reference note for CV1, controller for CV4
Optical display of gate/trigger via LED
MIDI-In, MIDI-Thru
Non-volatile memory for parameter settings
Stable metal case (about 95x75x35 mm, 1mm sheet steel)

External AC adapter for power supply
AC adapter for 230V AC and European type of mains connector is included within Europe
7...12V/100mA DC required, DC connector with 5.5 mm outer diameter and 2.1 or 2.5 mm inner diameter, polarity: plus = center, minus = ring

*** Adapters for other parts of the world have to be purchased separately. ***

Suitable accessories:

MCV4 special cable (1/4" stereo jack plug -> 2 x 1/4" mono jack plug, length about 90cm, also called "insert cable")

MIDI channel, reference note for CV1 (this is the MIDI note corresponding to 0V of CV1 and thus the lowest possible note of the analogue synthesizer connected to MCV4) and the controller no. for CV4 are adjusted via learn function. For this, the learn button must be pressed and the required MIDI messages sent from the MIDI controlling device (MIDI synthesizer, keyboard, sequencer ...). The other parameters (retrigger, trigger polarity, assign mode ...) are adjusted in learn mode via program-change messages.
The Hz/V mode available in the predecessor model MCV1 is not available with the MCV4 because of the many problems occurring with the non-linear Hz/V characteristic. But some synthesizers normally using Hz/V can be controlled with V/Oct (e.g. Korg MS10/MS20, details you may find in the MCV4 user's guide).

If you want to use all 4 analogue control voltages, you need 2 special cables with a stereo 1/4" jack plug on one end (MCV4 side) and two mono 1/4" jack plugs on the other (synthesizer side). Cables like this can be purchase elsewhere. If you need it, it is recommended to order it together with the MCV4.

Notes: Continuing from the appeal of the G2M and B2M, the i2M Musicport combines the features of both these units (to support both guitar and bass) with an optimised USB interface for even faster MIDI performance. Featuring extended MIDI features and configurability to satisfy the most demanding users, and a high-impedance audio interface that won't suck the tone from your instrument, the i2M Musicport is the new way to connect your musical instruments to your computer.

Designed particularly for guitar and bass, it works with most musical instruments including wind instruments and the human voice. Now you can record great-sounding tracks and play synthesizers and samplers how you have always wanted to: by using your favourite instrument.

Plug and Play

Using class-compliant USB drivers built into your computer's operating system, and with no special instrument set up required, the i2M Musicport offers a true plug-and-play experience for all musicians.

Ultra-Fast Monophonic MIDI Conversion

Although latency is unavoidable when converting musical pitch into MIDI mes-sages, the unique technology used in the i2M Musicport reduces this to a minimum. Not only is the MIDI conversion extremely fast, but accurate and ro-bust. In fact, the pitch-bend detection of the i2M Musicport is more accurate than many popular guitar tuners!

Fine nuances of your playing are captured by the i2M Musicport: note velocity is determined from how hard you play; and subtle vibrato and bends are con-verted to ultra-accurate pitch-bend messages with virtually no latency. Every-thing from the emotional subtlety of a 'cello solo to the most extreme use of a guitar's whammy bar are tracked flawlessly.

The optimised USB MIDI interface further minimises latency by intelligently managing data packets and avoiding the inherent delays in the traditional MIDI hardware protocol.

Flexible MIDI Architecture

The MIDI converter architecture is very flexible and powerful comprising six zones (splits), each with configurable pitch bend, MIDI channel, transpose and other parameters.

Hi-Z USB Audio Interface

The i2M Musicport features a very high-impedance (Hi-Z) audio input circuit. This means it won't degrade the tone of your musical instruments, unlike typi-cal "line" inputs - often a problem with electric guitars and dynamic micro-phones. The input pre-amp also has adjustable gain to accommodate a wide variety of musical instruments.
High quality 16-bit, 44.1 kHz (CD quality), and 48 kHz (DVD quality) digital audio can be recorded into your favourite audio application, or used live, for example through amp-simulators with great-sounding results.

An ASIO driver (only supported on Windows operating systems) is available to provide low latency audio and features the unique ability to use any other au-dio device (even other ASIO devices) as the output audio device so you can hear everything you do in real time.

Future-Proof (Upgradeable Firmware)

To support new features and to make it futureproof, the firmware (internal software) of the i2M Musicport can be upgraded. This means you can invest with confidence in the i2M Musicport.

Pocket-Sized / Gigantic Possibilities

Fashioned as an in-line 1/4" jack-to-USB adapter, and about the size of a car key-fob, the i2M Musicport has an ultra-compact design that can easily fit into your pocket. But this tiny box will redefine your musical possibilities.

An invaluable composition tool, the i2M Musicport will let you access new sounds with ease, enable you to create tab and scores, provide you with new inspiration and let you have more fun than you thought possible.

Desktop Editor Software

The i2M Musicport features a very flexible and powerful MIDI converter archi-tecture with 6 zones enabling MIDI to be sent on up to 6 MIDI channels simul-taneously, with each zone being independently configurable. You can custom-ise each of the operating modes for your particular requirements and ex-change these settings with other i2M Musicport users.

Four presets can be stored on the i2M Musicport so you can switch between these without requiring the Desktop Editor Software. This software is available for Microsoft Windows, and OSX (10.5 and above).

Note: the i2M Musicport doesn't include its own MIDI sounds, you must use suitable software (sampler, synthesizer, sound module etc) or your computer to record or to hear the MIDI output.

Specs:

Power supply: USB bus powered
Size: 75mm x 28mm x 28mm
Weight: 40 g
Input (Instrument): 6.35mm (1/4") mono jack | 10 MOhm impedance
Switches:MODE button to select active preset
Computer: Standard Type B USB socket
Drivers: Class-compliant (built into operation system)
Preamp Gain: -12dB (cut) to +15dB (boost) in 3dB steps
Audio: 16-bit, 44.1kHz (CD Quality) | 16-bit, 48kHz (DVD Quality)

Box Contents:

i2M musicport
Printed Operators' Manual (in English)
1m USB cable

Notes: Representing a new generation of portable recording, the H2n is Zoom's most innovative handheld recorder to date. Zoom have packed groundbreaking features into an ultra-portable device that allows you to record pristine audio anywhere you go. From film and broadcast, to journalism, podcasting, musical performance, songwriting and rehearsal, the H2n provides amazing recording quality. No matter the application, the H2n brings the very best in stereo recording to a convenient, user-friendly package that fits in your pocket.

The H2n's onboard 90- X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization and no phase shifting. The result is brilliant stereo recording with natural depth and accurate imaging.

The H2n features Zoom's best microphones yet and is the only portable recorder with five mic capsules onboard. This design enables the H2n to offer four unique recording modes: Mid-Side (MS) stereo, 90- X/Y stereo, 2-channel and 4-channel surround sound.

The Zoom H2n Handy Recorder, the new standard in portable recording.

Notes: MAYA44 USB+ is a powerful, affordable and very stylish USB audio solution for home recording - a perfect solution for mobile live and recording applications!

Beside standard recording and playback functionality, MAYA44 USB+ provides everything that is needed for professional music production. In its compact aluminium case MAYA44 USB+ provides 4 analog input and 4 analog output channels with RCA connectors and a combined optical S/PDIF digital output / stereo headphone output. The headphone output provides a separate stereo output signal, making it perfect for DJs.

With support for ASIO 2.0, CoreAudio and MME / WDM, MAYA44 USB+ is compatible to all major music and DJ applications like Cubase, Logic, Sonar, Reason, Reaktor, MixVibes, Traktor DJ Studio, BPM Studio and much more.

Features
4 input channels and 4 output channels with RCA connectors
-10dBV input / output level (unbalanced) with improved performance
optical S/PDIF digital output with Miniplug connector
headphone output (1/8" connector) with 60mW amplifier, sends out signal from channel 1 / 2 only
MME, WDM, ASIO 2.0 and CoreAudio support
EWDM driver with DirectWIRE support under Windows
standard USB connection to PC or Mac
compatible with Windows XP, Vista, 7, 8.1, 10, 11 (32-bit / 64-bit) and Mac OS X
compatible with all important DJ software applications
compatible with all important professional audio applications
compact and portable design with around 12 cm x 7 cm x 2 cm

Notes: Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer.

A vintage-style analog drum machine from Korg's recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.

There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.

The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.

You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).

The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).

The Volca Beats editable controls include:

Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi pitch, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level)

Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: A modern classic from Korg's affordable Volca range. Genuine analogue business with a built-in sequencer, ideal for acid house bass. A much more powerful synth than you might expect for the money.

Supplier notes:
The Korg Volca Bass is a powerful analog bass sound creation and an Electribe-inspired sequencer for the ultimate bass lines.

Although simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate "free form" bass loops that will stimulate your inspiration.

Notes: Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

It is supplied with a removable microphone 'flag' that can accommodate high visibility branding.

The Reporter is covered by Rode's industry leading support guarantee, with a twelve month warranty 'out of the box' that is easily increased to ten years free of charge, following online registration of the microphone.

Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: Superb value for money with this hugely popular model from the ever-reliable Audio-Technica. A little smaller and a lot cheaper than the excellent M50X model, but with similarly clear, balanced performance.

Supplier's Notes:

The high-performance ATH-M40x professional headphones are tuned flat for incredibly accurate audio monitoring across an extended frequency range.

Your studio experience is enhanced with superior sound isolation and swiveling earcups for convenient one-ear monitoring. Engineered with pro-grade materials and robust construction, the M40x excels in professional studio tracking and mixing, as well as DJ monitoring.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the NI S8 or Pioneer DDJ-RX/SX3) in the main compartment. The UDG Controller Sleeve is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,40 kg / 5.28 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 14.0 cm | 28.7 x 16.9 x 5.3 inch
Inner Dimensions (W x H x D): 71.0 x 40.0 x 11.5 cm | 27.6 x 15.7 x 4.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:
Pioneer DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR2, DDJ-SR, DDJ-S1, DDJ-T1, DDJ-Ergo
Pioneer XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor Kontrol S3, Traktor Kontrol S8
Denon DJ MC7000
Numark NS4FX, NS6II, Mixtrack Platinum/ Pro 3, Mixdeck Quad, 4Trak, N4
Reloop Mixon 8 Pro, Mixon 4, Touch, Terminal Mix 8, Beatmix 4
Roland DJ-505
or similar size controllers

Notes: The DigiTechr Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

General Specifications
Input1/4" Unbalanced (Tip-Sleeve)
Output1/4" Unbalanced (Tip-Sleeve)
ControlsAmount, Momentary On/Off
A/D/A Converter24-bit
Sampling Rate44.1 kHz
Power SupplyPS0913DC-01 (US, JA); PS0913DC-02 (EU, AU, UK)
Drop Tune Range1-7 Semitones Down, Octave Down, Octave Down + Dry
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.36 lbs.

Notes: The DR-60D MKII is a compact 4-track audio recorder for dedicated use with a digital single-lens reflex (DSLR) or digital single-lens mirrorless (DSLM) camera as a video system. It can be mounted directly to the camera and offers various audio inputs and outputs to allow the recording of high-resolution audio material in parallel to, but separated from the camera and its video data.

The recorder features Tascam original HDDA microphone preamps which are known for high S/N ratio, low input-referred noise and low distortion. Recordings can be made at 44.1/48/96 kHz, 16/24-bit in WAV or BWF format. In addition to ordinary stereo recording, it is possible to record up to four channels simultaneously which can then be mixed down to a stereo signal. Recording levels can be adjusted independently for inputs 1, 2 and 3-4 and the Dual Recording function allows two files to be recorded in parallel at different levels.

The DR-60D MKII can output high-quality audio to a DSLR/DSLM camera to be recorded there as a reference track, and a camera input enables convenient monitoring of audio sent from a DSLR camera. Mid-side decoding, slate tone functions (automatic/manual), selectable time delay and other functions for convenient recording are also available.

Features at a glance
Changes since the previous model are marked red

Compact, high-quality audio recorder designed to be used in combination with a DSLR camera
Uses an SD/SDHC card as recording medium
High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps
In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible
Four channels can be mixed down to a stereo signal
Recording levels can be adjusted independently for inputs 1, 2 and 3-4
Dual recording function allows two files to be recorded simultaneously at different levels
Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format)
Broadcast Wave Format (BWF) supported as WAV recording format
New, smooth XLR/TRS combo jacks
XLR mic/line inputs can provide phantom power (+24V/+48V)
TRS mic/line inputs support +24 dBu input when used as line inputs
"HI+PLUS" setting allows a maximum input gain of 64 dB
Stereo mini jack input supports mics that require plug-in power, allowing the input of video mics and other high-output mics (+10 dBV maximum input level)
Low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz)
High-quality audio can be output to a DSLR camera for recording
Two camera outputs with different levels allow audio signal to be sent to a line or mic input of the camera
Camera input enables convenient monitoring of audio from a DSLR camera
Selectable mid-side decoding for use with MS microphone setups
Slate tone functions (automatic/manual) to simplify synchronization with video files when editing
Pre-recording function allows the unit to record the two seconds of sound before recording is activated
Auto recording function to start start and stop recording by input level
A new file can be created during recording (manually or by file size)
Self-timer function to start recording after a set period of time
Jump-back function allows the last several seconds of the currently played file to be replayed again by simply pressing a button
Selectable delay to eliminate time lags caused by differences in the distances of two input sources
QUICK button allows easy access to various functions
Divide function allows files to be split where desired
Mark function convenient for moving to specific locations
Equalizers for playback, and level alignment function to enhance the perceived overall sound pressure
File name format can be set to use a user-defined word or the date
Resume function to memorize the playback position before the unit is turned off
Line output and headphones output with individual level controls (3.5-mm jack)
128 x 64 pixel LC display with backlight
USB 2.0 port
Stand adapter (14 inch) on bottom side to attach the unit to a tripod
DSLR bracket for easy camera attachment and removal with a coin
Dedicated remote control jack (for use with RC-10 and RC-3F (sold separately))
Hold switch to prevent accidental operation
Handles on the front left and right sides protect the screen and can be used to attach a shoulder belt
Operates on four AA batteries, an optional AC adaptor (Tascam PS-P520U), optional external battery pack (Tascam BP-6AA) or USB bus power
Power source switches automatically from external to internal when necessary (with pop-up message on display)

Notes: The FS3X provides increased functionality and convenient Hands-free™ control over UP/DOWN selection of Models, Mode changes, Loop selection, auto START/STOPS and arms auto record where applicable. Compact and portable its small foot-print takes very little space on stage or in your gig bag. Durable 3 button metal chassis construction. A 10' stereo TRS cable is included with each unit. Get the most out of your DigiTech products while performing or practicing.

General Specifications
INPUT

1 x 1/4"
CONSTRUCTION

3-button metal chassis

Notes: The ZONE B.F. module is an element of the Capsule TITAN. Zone basses frequences stands for low frequency zone. This module is composed of 2 LFOs, both LFOs have 16 sync-able waveforms

Speed : speed of the LFO, range from 0.1 Hz to +/-200 Hz

Wave (LFO 1 & 2) : 16 Syncable waveforms;
- Triangle
- Sine
- Dome
- Ramp down
- Ramp up
- Stepped ramp up
- Square
- Short impulse square'
- Short impulse triangle
- Stepped square ramp down
- Random stepped
- Growing random ramp up (staircase)
- Random impulse size squares
- Random impulse size triangles
- Noise
- Pitched noise

The ZONE B.F. (black edition onwards) now features an additional mode. On the back of the PCB you will find two jumpers, marked as JP1. CV1 is LFO channel 1 and CV2 is LFO channel 2. By moving the jumper so it sits on one leg (rather than 2 as when you have received the module), the Sync input for either LFO channel now becomes LFO speed input, controllable via CV.

2 LFOs
16 waveforms per LFO
sync or speed CV control

5 HP
40 mA +12V
10 mA -12V
0 mA 5V

Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the Pioneer DDJ-REV7, XDJ-RX3, XDJ-XZ, XDJ-RX2, DDJ-RZ, DDJ-SZ2, Numark NS7III) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,90 kg / 6.38 lbs
Outer Dimensions (W x H x D): 92.2 x 49.2 x 13.5 cm | 36.3 x 19.4 x 5.3 inch
Inner Dimensions (W x H x D): 89.2 x 46.2 x 10.5 cm | 35.1 x 18.2 x 4.1 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits

Pioneer DDJ-REV7, XDJ-RX3/ XZ/RX2, DDJ-RZ/SZ2
Denon DJ SC LIVE 4, MCX8000
Rane Performer, Four
Numark NS7III
Or similar size controllers

Notes: Legendary fuzz with added features like a Bass Boost, Noise Gate, and adjustable Mids section for the most versatile Muff ever!

Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 50 years. Now, we've added some extras for those who crave more sound shaping control. The EHX Deluxe Big Muff Pi delivers all the classic sounds of the original NYC Big Muff Pi, plus more.

Added footswitchable Mids sections boosts or cuts an adjustable mids frequency for added definition or massive scooped tones. Add an optional expression pedal and turn the Deluxe Big Muff into an extreme fuzzed out wah!

The Attack control preserves pick attack with an enhanced version of your dry signal while the Bass Boost adds rumble at higher tone settings. The Gate removes unwanted hiss for a more dynamic performance.

This is the most versatile Big Muff ever!

Specifications:

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 22mA
Year Released: 2014

Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!

The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.

The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.

Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included

Specifications

Circuit: Analogue / Digital
Bypass: Selectable True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 125mA
Year Released: 2014

Notes: Smooth envelope filter with a funky wah-wah tone!

The EHX Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analysing the volume of your notes and the dynamics of your playing to directly sweep the filter's centre or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 15mA
Year Released: 2006

Notes: Modulation madness! All-analog multi-functional modulation effects processor featuring Phaser, Tremolo, Vibrato, and a Neo-modulated Wah. At the heart of the EHX Worm is a specially designed tone-bending engine that creates groundbreaking oscillatory effects.

True bypass
Mode selectable analog modulation effects: wah, phaser, vibrato, tremolo
Manual mode removes the modulation so the effects can be swept by hand
Optional expression pedal sweep capability
Tough and compact die-cast chassis
Power adapter included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 24VDC-100mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 50mA
Year Released: 2008

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: Get that late 1960's fuzzed out, octave up sound!

The EHX Octavix Octave Fuzz delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept. Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.

A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe.

Classic octave up + fuzztone effect pedal
Switchable 9 and 24 volt power rails give a saggy or tight sound
True bypass
Blue LED
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 65mA
Year Released: 2015

Notes: The Nagaoka MP-100 phonograph cartridge offers musical clarity and expression beyond its price and competitors splendid upward start toward long term musical enjoyment.

Half-inch system with conical diamond on lightweight aluminum cantilver. The Nagaoka MP-100 phone cartridge offers musical clarity and expression beyond its price and competitors - a plendid upwards start toward long term musical enjoyment

Features
-Superfine polished conical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing

Stylus replacement: Nagaoka JN-P100

The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.

Notes: Natural bass overdrive and clean boost for the tone conscious! Enhance the original sound of your instrument and amp while retaining the essential character.

The EHX Bass Soul Food dives deeper than the original Soul Food, retaining even more low frequecies while adding warmth and growl to your original tone.

Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom.

EHX Founder and President, Mike Matthews, stated: "Our Soul Food put 'Klon-like' transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!"

Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package.

Specifications

Circuit: Analogue
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 22mA
Year Released: 2015

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: EHX's rich history was marked by many revolutionary pedals but one of our most distinctive lines was a group of analog drum synthesizers that included the Crash Pad.

Like the original from 1980, the EHX Crash Pad Electric Crash Drum can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter. Plus, it's been updated to respond to expression pedal/CV input for external control over the filter in real-time.

Creates a range of percussive sounds from cymbals, snares and hi hats to oscillation sweeps
Triggers via the on-board pushbutton, an external (non-MIDI) drum pad and most clock generators
Process external sounds thru the resonant filter + EXP/CV input for real-time filter control
Rugged, die-cast chassis
Works great with the EHX Clockworks Rhythm Generator/Synthesizer, 8 Step Program Analog Expression/CV Sequencer and other similar devices
Power adapter included

Circuit: Analogue
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 22mA
Year Released: 2015

Notes: ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath's renowned build and audio quality in a compact, portable format. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: Create mind-blowing sounds ranging from deep kicks to high toms to sci-fi drums!

A faithful reissue of the cult-classic released in 1979, the EHX Super Space Drum uses analogue synthesis techniques to create mind-blowing sounds ranging from deep kicks to high toms to sci-fi drums. Trigger it from the built-in pushbutton or an external (non-MIDI) electronic drum pad. Pass external sounds through the gated amplifier via the aux input. The Super Space Drum lets you create, control and manipulate a stunning array of synthesised sounds.

Analogue drum synthesiser dripping with vintage sound and vibe
Creates an awesome array of percussive sounds ranging from really deep kicks to high toms to sci-fi drums
Triggers via the on-board pushbutton, an external (non-MIDI) drum pad and most clock generators
Process external sounds thru its Aux In
Rugged die-cast chassis, includes EHX9.6DC-200mA PSU, also accepts a 9V battery
Works great with the EHX Clockworks Rhythm Generator/Synthesizer, 8 Step Program Ananlog Expression/CV Sequencer and other similar devices
Power adapter included

Specifications

Circuit: Analogue
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 25mA
Year Released: 2016

Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.

Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.

With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.

Notes: 'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV

Notes: KeyStep is a new breed of portable musical tool combining the functionalities of a keyboard controller with a polyphonic step sequencer to control both analog and digital devices.

You need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but don't want the footprint of a large keyboard? You have modular and analog gear you want to control via CV/GATEs? You want a step sequencer with polyphonic capability that can sync to your favourite modern and vintage gear? If only a single piece of gear could do all of this...

It's the touch...
The KeyStep controller does all this and more.
We started by designing our own "slim key" keyboard action, balancing the best features of compact mini-keys with the musicality of full-sized keys into this new keybed. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.

We also designed a new polyphonic step-sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. We also included the ability to record, overdub, and transpose your sequences in real time and still play the keyboard live.

Add a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.

...and the possibilities
These features alone would make KeyStep the best portable keyboard controller on the market. But we take it further by giving you a wealth of connectivity options: USB MIDI (of course), standard MIDI in and out (check), clock sync and DIN sync jacks (yes!), and CV/GATE outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough.

Keystep is the perfect performance controller in a compact package.

Adapts to your setup!
KeyStep was imagined and designed to become the modern musician's trump-card.
Whatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!

Notes: Numark's excellent PT01 is one of the most portable turntables ever made, designed for beat digging and portable scratch setups. Includes cartridge and slip mat, plus integrated carry case.

Supplier's Notes:
It's a new era for DJs! With the PT01 Scratch portable turntable, you can scratch and cut anywhere. Built with Numark's exclusive Adjustable Scratch Switch, PT01 Scratch enables you to grab your favourite scratch record (not included) and perform any turntablist scratch routine, whether you have access to AC wall power or you're outdoors with your friends.
While keeping FRESH with a dope paint job, PT01 Scratch is designed for any DJ that is passionate for the art of turntablism and enjoy digging for vinyl records.

Yes! There's an Adjustable Scratch Switch that gives you the perfect way to scratch, plus it's adjustable for either right-handed or left-handed scratching styles. You can simply unscrew the scratch switch and adjust it to your style. Our scratch and slide switch performs longer than ordinary sliders, plus, unlike others, it's user-replaceable, so the action never stops! PT01 Scratch comes equipped with a red slip-mat to perform light to heavy-handed scratches with your scratch records.

Connect your phone or any audio source to play a background beat through the 1/8" stereo input and scratch along to the beat. Increase the volume with the gain control and play it loud and strong on the built-in speaker. You can also connect PT01 Scratch to other equipment via the RCA stereo outputs or use the headphone output for private listening.

In addition to scratching and having fun, you also have the capability to record your vinyl digitally via USB to your laptop (with free downloadable software).

PT01 Scratch plugs into a wall outlet (AC wall adapter included) and it also runs on batteries. It's enclosed in a hard case for protection and has a sleek red handle to carry it anywhere.

Specs:

Weight 4.3 pounds
Dimensions 11.9 x 11.9 x 4 inches
Class compliant
Minimum System Requirements (PC): Windows 2000/XP/Vista USB 1.1 port
Minimum System Requirements (MAC): Mac OS X 10.4.x* USB 1.1 port

Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.

Notes: The 2hp VCA is a dual, linear VCA. It uses the renowned 2164 SSM architecture, giving it extremely low distortion and high quality audio outputs. With a CV input attenuator, and DC-coupled inputs this is your new go-to module for voltage controlled amplification of audio or CV.

Notes: Ground it E is a stable and height-adjustable platform for turntables, that will reduce negative effects of potential surface vibrations significantly. The use of Ground it E is very simple: Do not place your turntable directly on surfaces such as furniture or shelves that may be vibration sensitive, but place it on Ground it equipment bases. All Ground it bases will improve the sonic performance, so a pleasant, natural reproduction of vinyl music will be possible. The playback quality of a turntable placed on Ground it E will benefit because of improved dynamics and coherent timing. The ambient acoustic of the recording venue will sound much clearer and contoured, so music playback appears to be more realistic, authentic and expressive.

Notes: Goldring D06 stylus is designed to fit the current Goldring 1006 phono cartridge, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Flexible bass preamp and DI delivers powerful tone shaping capabilities in a rugged pedalboard-friendly package!

The EHX Battalion Bass Preamp and DI is packed with a four-band equalizer, fully-featured MOSFET distortion section with three signal path options, a compressor, a noise gate and a comprehensive I/O. An all-in-one tone tank for your bass guitar.

Four-band EQ tailored specifically for bass guitar. Includes controls for Bass (below 200Hz), Lo Mid (boost/cut at 280Hz Mid (boost/cut at 750Hz) and Treble (boost/cut above 2kHz)
The Battalion's distortion section delivers an awesome array of distorted bass sounds
Distortion section features Level, Blend, Drive and Tone controls plus a dedicated footswitch
Three signal flow modes yield unique tonal variations. Pre EQ, distortion comes before EQ. Post EQ, distortion comes after EQ and Dry EQ, only the dry signal mixed in with the Blend control is affected by the EQ
Compressor with dedicated pushbutton, amount control and LED adds thump and sustain to your bass sound
Noise Gate with adjustable threshold control eliminates noise and hum while preserving your attack and original tone
Flexible I/O allows the Battalion to fit perfectly in any bass rig or application
14 input jack includes switchable 10dB pad
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2017

Notes: The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

General Specifications
ControlsFeedback, Momentary On/Off, Dry On/Off, Gain, Onset, Type, Effect On/Off
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A Conversion24-bit
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power Adapter (Sold Separately)PS0913DC-04 (US, JA, EU, AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output Type1/4" Unbalanced TS (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input Type1/4" Unbalanced TS (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)

Review: Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.

Notes: A compact attenuverting (attenuator-inverter) joystick controller and Gate Generator. With it, you can generate and process two control voltages using only one hand. Provided controls for CV ranges and offset adjust the boundaries of your control, this way it never gets out of the desired range, ensuring sensibility and playability even with wild performance gestures.

Specifications

Current needs: +12V: 25mA, -12V: 10mA
Width: 12 HP
Depth: 35mm (including power connector)
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: The new CARRY LITE DJ-CASE XL PLUS is a very lightweight and compact carrying solution for your DJ-equipment and comes in a nice full-black matt finishing. Constructed from laminated MDF panels and anodized aluminum profiles the CARRY LITE design features a fully padded interior with a variable pick & pluck foam that allows to create individual adapted compartments for various-sized DJ-controllers such as Pioneer DDJ-SR2, Numark NV2, NI Kontrol S4 MK3 or similar-sized DJ-controllers. The pick & pluck foam consists of two separate layers providing the additional option to create another slot underneath the controller for laptop or cable storage.

+ FITS

Akai MPK-25
Akai MPC Renaissance
American Audio VMS2
Denon MC-6000
Denon MC-4000
Gemini Slate 4
NI Kontrol S5
NI Kontrol S4
Numark NSD6II
Numark NV
Numark Mixtrack Pro 3
NI Kontrol S4 MK3
Numark Mixtrack Platinum
Numark Mixtrack Pro 2
Pioneer DDJ-REV1
Pioneer DDJ-SR
Pioneer DDJ-RR
Reloop Terminal Mix 4
Roland DJ-202
Stanton SCS4DJ
Vestax VCI-400
Vestax VCI-380

+ BASICS

Constructed from laminated MDF and anodized aluminum profiles and butterfly latches (can be secured with a padlock)
Fully lined interior of 5 mm EVA foam and a 3 cm thick egg-crate foam on lid
Including 2-layer (2,5 and 3,5 cm) pick & pluck foam to create individual compartment and slots for dj-controllers, battle-mixers, laptops or smaller accessories.
Including detachable lid
Convenient carrying-handle and option to attach a separate shoulder-strap.

+ SPECS

Outer measures: 41,5 x 63 x 16 cm
Inner measures: 37 x 60 x 11 cm
Weight: 4,3 kg

Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA

Notes: Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

- VCLFO: voltage controlled low frequency oscillator
- VCA: voltage controlled amplifier, switchable to voltage controlled polarizer
- VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-colour LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V.

The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the centre position. In the centre position CV has no effect and right from the centre the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per period) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 "Dummy". JP7 has no function and is used only for "parking" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a green LED and available at the "Delay Out" socket.

The manual Delay control ranges - without external "Delay CV" - from about 5ms (fully CW) up to 2 minutes (fully CCW). By means of an external voltage applied to the "Delay CV" socket this range can be extended. A rising CV shortens the delay time (behaviour like a VCO)!

The Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the "Delay Reset" sockets resets the Delay output voltage to 0 V.

"Delay Out" is normalled to the VCA CV input by means of the switching contact of the "VCA CV" socket and consequently controls the Triangle level provided that no other patch is made. A typical example is the usage of a Gate signal (e.g. from a USB/Midi-to-CV/Gate interface) as Delay Reset. That way a delayed vibrato or tremolo can be realized if the VCA output is patched to the frequency CV input of a VCO (or VCF), or the CV input of a VCA.

Notes: The 333 is a summing and distribution module for Eurorack modular systems.

It is composed of three identical sections, the red, yellow and green, each of those featuring three inputs summing amplifier with three independently buffered outputs.

Derived directly from the CGM creative mixer series, the sum section is DC coupled, allowing the sum of control voltages as well as audio signals.

With an extremely low tolerance in both sum and output sections, it is suitable also for summing quantized voltages like the ones coming out from the quantized outputs of the SAPEL.

In case CVs or audio signals are particularly hot, the 6dB attenuator might be helpful to reduce exactly by 50% the incoming signals.

Red and yellow output are also normalled to the 1st jack socket of the yellow and green input: in this way this module can also work as a 1 to 9 buffered multiple.

Notes: This module connects via 3 pin cable to the Intellijel Pedal I/O 1U module.

It provides the 1/4" TS interface for connecting guitar pedals or instruments.

Dimensions: 8 HP
44 mm deep

Module is a 1U tile.

Current Draw: Module does not draw current

Notes: Dynamic super-cardioid vocal mic, which helps to reduce spill and feedback. Ideal for presentations, conferences, choirs, rehearsal rooms, and stage. Easily eliminates ambient noise. Superb high frequency reproduction.

More focus. More presence:

Maximum focus, enhanced presence: the E845 delivers differences you can hear. Its expanded high frequency range creates space for demanding dynamics with a high signal quality. Vocals become more alive and sound wider and more open - even at different speaking proximities. Designed as a super-cardioid, the E845 easily eliminates ambient noise. A reliable, easy-to-use companion for presentations, conferences, spoken word performance, choirs as well as rehearsal rooms and on stage.

In the box:

1 x E845
1 x Microphone Clip
1 x Pouch