Back in stock: Techno (All)

Review: Cirkle's Vakandra's Spell delivers four serious techno burners, each track packing its own punch and depth. Side-1 kicks off with the title track, 'Vakandra's Spell,' a sci-fi stomper that echoes the hypnotic intensity of Jeff Mills' Purpose Maker work. It's slightly demented yet profoundly captivating, creating an otherworldly atmosphere that pulls you in. Following this, 'Lunar Orbit' presents a fast-paced, loopy groove that drives the energy forward, making it a perfect fit for peak-time sets. On Side-2, 'Evolving' stands out with its chord-based loop style, offering a deep, rhythmic flow that keeps the momentum going. The EP closes with 'Quantum Shift,' a pulsating techno track where rhythmic hi-hats percolate over a driving beat, delivering a high-class finish to this well-rounded release.Vakandra's Spell is a powerful offering for those looking for deep, intense techno tracks.

Review: Deluka's Mind Games EP on SK Eleven delivers four tracks of pulsating, rhythmic techno that showcases a tech-driven edge. The EP opens with the title track,'Mind Games', a minimal yet powerful techno cut that thumps with primal energy. The seductive rhythm draws you in, building layers of intensity as it moves forward, making it perfect for late-night club sets. Braunschweig follows with a subterranean vibe, featuring intricate, morphing beats and a sci-fi atmosphere. The complex rhythms keep listeners on their toes, pushing the boundaries of techno's sonic palette. On the second side, 'Everybody Talkin' brings raw drums and a rolling rhythm, packed with an infectious energy that makes it an undeniable banger. It's a track that commands the dancefloor with its relentless drive. 'Bunker' closes the EP with a futuristic, techy vibe, driven by broken beats and mechanical rhythms. The track's edgy, forward-thinking sound makes this a sharp record for bold, innovative techno.

Review: Brazilian Jesse "Dreams" Pimenta has been roaming around underground circles for a decade plus. He has a stylish sound that is about heady excursions into deep rhythms. 'Losing Control' opens up with a warped and flabby baseline over buoyant drums for peak time deployment. 'Dangerous When Wet' is a tightly programmed and kinetic cut with flappy drums and snares, aliens in the machines and psychedelic vocal swirls. 'XTC Messenger' then hits hard with thudding kicks and hints of 90s tribal techno. Last of all, 'Pressure Points' flips out with broke beats and dubby undercurrents.

Review: Last year Joe Baker took his Forest Drive West project to legendary Dutch label Delsin for the very first time, in the process offering up one of his deepest and most picturesque to date. There's a similarly hazy and hypnotic feel about his latest EP, Dualism, which sees the East Londoner return to Livity Sound for the first time in the three years. He sets the tone via the EP-opening title track, a typical on-point combination of broken techno drums and drowsy dub techno style textures, before opting for more energetic Afro-tech beats and spacey, almost ambient chords on the equally brilliant 'New Day'. He further explores his love of polyrhythmic techno on feverish and mind-altering flipside opener 'Ritual', before joining forces with Lucky Pereira on cumbia-influenced, sub-heavy workout 'Scorpion'.

Review: Melbourne-based artist Dan Goul takes flight with his debut release, showcasing his impressive command of techno's deeper shades. Released on Berg Audio, this collection is an immersive journey through ambient textures, experimental soundscapes, and weighty dancefloor rhythms. 'Currents' sets the tone with its hypnotic groove, while 'Low Tide' explores a more introspective soundscape. The title track, 'Paraglider', soars with its expansive melodies and driving percussion, and 'Peninsula' closes the release with a mesmerizing blend of ethereal textures and pulsating rhythms. Goul's deft touch is evident throughout, seamlessly weaving together intricate sound design, hypnotic grooves, and moments of pure sonic bliss. This is a testament to Goul's artistry, a captivating exploration of techno's diverse landscape that will appeal to both headphone listeners and dancefloor devotees.

Review: DJ Nobu's avant-garde Bitta label looks to fellow Japanese great in Osaka-based Erik Luebs for its next trick. As always with this fine imprint, the sounds are about balancing transcendental synths with deep tech rhythms. They are masterclasses in economical arrangement and on the surface don't do much, but when you tune in properly, they are mind-melting trips, starting with the mystery of 'Granite Monolith'. 'Irradiated Body' has loopy synth sequences unfolding at great pace with pristine accuracy and 'Coming Up For Air' gets a little more extroverted with dubby kicks and the sound of overloaded AI machines getting ever more frenzied. 'Facing The Horizon' is a flickering, optimistic and mildly euphoric sound for dropping when the sun peaks through the blinds and you celebrate getting through another night of darkness.

Review: Hector Oaks is one of the most trusted stamps of authority in big, bashy techno, and his label is a natural extension of his knowledge and taste. As such, you're going to want to pay attention to this new release, which revolves around some ear-snagging samples chatting about players playing themselves. It's a hip-hop rooted attitude which extends into the funky cuts juicing up 'Player Three', while 'Player Twenty-Five' turns up the pressure with some loopy madness and then jacks 'Player Three' up by '8%' for those who like it faster. 'Ghetto Bootie' finishes the record off on an unmistakable Dance Mania tip, and it sounds absolutely deadly.