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New releases last two weeks: All genres
All genres vinyl released in the last two weeks
Items 1 to 42 of 42 on page 1 of 1
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Review: It's hard to believe ABBA's third album is 50 years old this year and S.O.S. was one of the slef titled LP's most successful and distinctive moments. The song helped solidify the Swedish quartet's exciting blend of catchy pop and disco, as well as - absolutely true - providing the Sex Pistols with the intro for punk classic 'Pretty Vacant'. This period correct picture disc 7" celebrates one of their most iconic singles, backed with beloved album cut Man In 'The Middle' here.
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Review: Anorax Records' motto and hash-taggable suggestion is to #eatsleepcollect, as if we weren't doing so already! This time they deliver on the highly anticipated 'Tighten Up' by Melbourne soul collective The Bamboos. First released in 2006 on Kenny Dope and Keb Darge's Kay-Dee label, this instrumental version of Archie Bell & The Drells' 1968 hit quickly became a favourite in soul and acid jazz circles. Rhythm-made by The Bamboos' leader, Lance Ferguson, this one stands out for its vocal absence, offering a quirky, irresistible take.
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Cat: SS 7011P. Rel: 10 Jun 25
Disco/Re-Edits
Review: The first official reissue of Brooklyn People's rare 1975 soul-funk classic 'Peace and Love / Wreck' arrives courtesy of Selector Series for Record Store Day 2025. Originally released on Cheri Records half a century ago, this sought-after 7" has fetched prices of around L50 on the collector's market. It's one of those true crate-digger gems with its perfect mix of soulful, spiritual deepness and driving, dynamic drum grooves that never quit. 'Wreck' has atmospheric crowd sounds as well as jazzy keys and horns to really take things up a notch.
… Read morePlayed by: Mukatsuku Records Chart
in stock $16.89
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Light As Before (hand-numbered 7" limited to 250 copies)
Cat: HWS 002. Rel: 20 Jun 25
Balearic/Downtempo
Review: Phil Mison, long revered for his chill-out sets and Balearic sensibility as a DJ, not to mention over two dozen releases under his belt, returns as Cantoma with a new single that perfectly captures the spirit of sunset listening. 'Light As Before' is a gentle and evocative piece built on Latin percussion, breezy guitar work and a standout horn section that lifts the track into a golden-hour daydream. It's the kind of track that feels tailor-made for a coastal terrace, a glass in hand and nowhere to be but the present. The B-side remix is a tasteful reimagining that dials down the horns and replaces them with soft flutes and delicate acoustic textures. This version leans deeper into the groove with a more introspective yet still melodic mood. It trades some of the exuberance for warmth and depth, making it an ideal complement to the original. Both sides highlight Mison's continued mastery of Balearic downtempo.
… Read more in stock $16.06
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Review: A powerful roots anthem from the unmistakable voice of Daweh Congo here. 'Prophecy Reveal' is an invitation to get lost in his haunting tone and spiritual intensity, both of which were hallmarks of his role in the roots revival movement. Originally released in 2000, the 25-year-old classic blends conscious lyrics with a weighty digital rhythm to create a hypnotic, militant vibe. Daweh's mystical delivery brings urgency and depth to the message, while the B-side dives into rich 90s electronic dub territory by layering effects and echo for a deep sound rooted in spiritual and musical resistance.
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Review: Danubian Dub hails from Vienna and step up to their own self-titled label with a deep, steppers-style cut that delivers conscious energy and militant grooves on one impactful 7". 'Move Dem' is driven by a thunderous bassline and echo-laden snares and has a nice ass-wobbling weight to it as it rolls up and down while I Nando's commanding voice delivers his own message. Though rooted in classic dub traditions, it has a fresh edge and sleek production aesthetic that very much places it nicely the here and now. The Smalltowndubz brings some more winky dubstep style bass weight to the flipside and both versions are sound system-ready anthems built for serious rotation.
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Review: Macedonian DJ Goce's reworks breathe a sense of urgency and grit into two classics, making them feel like new discoveries. 'Back to Cali (Goce's Pop Lock Edit)' takes the swagger of LL Cool J's original and shatters it with rapid-fire Brooklyn rhythms and experimental tension. It's a rework that hits hard, adding a sense of narrative chaos to the track's laid-back vibe. Over on the B-side, Goce transforms Wu-Tang's 'Gravel Pit' into a dirty, kinetic force. The original's bounce is replaced with an altogether funkier pulse, creating a new layer of unpredictability while retaining that beloved Staten Island grit. Both tracks move in unexpected directions, pushing the boundaries of what these classics can be on the dancefloor.
… Read morePlayed by: The Allergies, Osmose
in stock $17.19
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Review: In 1969, Duo Ouro Negro travelled to the US and came back changed. By 1972, they channelled said many cross-country encounters with Black Power politics, spiritual jazz and liberation struggles into Blackground: a bold, pan-African statement recorded not in Luanda but Lisbon. The Angolan duo, already global stars in Portuguese-speaking circuits, were heard fusing jazz-funk with messages of decolonisation and Black identity, summed up in Raul Indipwo's cry: "Don't forget your blackground." A decade later, in 1981, the record was reworked with fresh arrangements and additions like the instrumental 'Iemenja' and the percussion-heavy 'Aruandai'. This new edition from Digei De Bairro brings that fiercely rhythmic and politically charged LP back into circulation, a vital slice of Lusophone jazz-funk with global intent.
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Review: Launching their new 7" series with a bang, Small Edits enlist the shadowy figure of The Groomer for two deep-digging reworks that balance crate knowledge with pure dancefloor funk. On the A-side, 'S.a.d.e' stretches out into a blissed, slow-burn groove with smoky keys, slinky basslines and a gentle swing conjure a mood that's tender, perfect for warm-up sets or late-night wind downs. Flip it over for 'Commo', a swaggering, shoulder-rolling party starter. Tighter, faster and packed with cheeky rhythmic flair, it leans into peak-time territory with percussive funk licks and chopped vocals that radiate attitude. A low-key but high-quality debuticut loud and made for selectors who know.
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Review: Texan producer Ben Hixon has been particularly prolific of late, releasing a swathe of rather good - and undeniably analogue-powered - deep house EPs on Dolfin Music, a label he's been associated with for many years. Here he drops a seven-inch single - a rarity within house music - featuring two jams that make extensive use of his Casio LK keyboard. A-side 'Casio LK 1' is a breezy chunk of old school style deep house that comes blessed with a deep, heavy bassline, sparkling keyboard riffs, and soulful, eyes-closed vocal snippets. He opts for a sweatier, more stripped-back and occasionally distorted drum sound on 'Casio LK2', wrapping this tough-as-teak, no-nonsense beat in dreamy chords and spacey melodic flourishes.
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Review: Following a string of praised releases for labels the likes of Dreamlord Recordings, Library Of The Occult and Up In Her Room, Jonathan Parkes (Korb) and Dom Keen (Studio Kosmische) team up once more for Bongo Express, a one-off vinyl drop via Crouch End's Feral Child. This time, the pair lean hard into their mutual obsessions: dusty mid-70s textures, radiophonic wig-outs and low-slung kraut-funk. Built around rattling bongos and scuzzy analogue synths, the record rides a hypnotic groove that sits somewhere between library oddity, imagined road movie score and late-night Berlin jam session.
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Review: The enduring electronic musical gene sequence that was Virginia-born pianist and keys player Lonnie Liston Smith's spiritual funk-jazz opus, 'Expansions' from 1974, now hears another re-disco-scription by keyboardist Gail Johnson and her unstoppable band, Jazz In Pink. Renowned for her keytar uplifts and relentless live schedule, this is a rare 12" for the modern genius LA live musician. Her rendition of Smith's 'Expansions' both mellows and sharpens the mood in equal measure, providing a renewed euphony come euphoria. 'Glow' backs up the B-side with a sheeny original, with dramatic phrase stops and trademark peak-out pianos from Gail.
… Read morePlayed by: Osmose
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Review: Kirk Davis aka Little Kirk scooped out an explosive lovers' rock career for himself after the 1986 debut 'Ghettoman Skank/Bad Boy Fe Dem', setting sail from Waterhouse, Jamaica to score a wicked eight albums from the mid eights all the way through to 08. 'Weed Them Out' came early as his third single and proved an early digital lovers' rock candy to chew on, its firm rims and Linns standing out stark against a brilliant cascade of synth arpeggios, and lyrics that speak of the fame-making, achievement and entertainment industry travails.
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Review: Another dug-out dispatch from Tokyo's most diligent soul surgeon. This latest 7" distills veteran editor Loftsoul's flair for unearthing overlooked grooves and flipping them into low-slung, floor-ready burners. Side A stretches a sweet, previously under-the-radar soul cut into a strut-ready salivation, while the flip dips into hazier jazz-funk moorings: crisp drum breaks, warm Rhodes, slow-cooked syncopation. With subtle EQ and caressing lowpass warmth, we hear it's not about maximal intervention; it's about knowing where to put the scalpel. The latest in a long-running series, it's certainly an outlier find for record-bin archaeologists.
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Review: This release from Outta Sight marks the first standalone vinyl pressing of the 1968 Northern Soul classic 'By Yourself' by Jay D. Martin, which has previously only ever been available only as a rare Tower label promo and on a Wigan Casino compilation. And it is a true Wigan dancefloor favourite, which is why the original promo now fetches around L350 on second-hand markets. Also featured is Sam Williams' 'Love Slipped Through My Fingers,' another 1968 Northern Soul gem that similarly debuted as a Tower promo and commands collector prices up to L2,000. Do not snooze on these iconic, hard-to-find floor-fillers from the golden era of Northern Soul.
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Review: From Papunya in Australia's Northern Territory, indiginous Luritja artist Keanu Nelson returns with a new two-track 7", produced in collaboration with Sydney's Yuta Matsumura. It's a continuation of their distinct blend of desert-rooted storytelling and homespun electronics. 'Place Where I Go' merges YouTube-era hip-hop with dubbed-out textures and plaintive piano, Nelson's voice diaristic and close. 'Kapi Ngalyananni', sung in Luritja, is a water song laced with clapsticks, parched melodica and ghostly pads. Shaped with minimal means, these tracks shimmer with spirit and quiet clarity, holding space for both the ancestral and the everyday.
… Read morePlayed by: Marco Gallerani
in stock $16.62
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Honky Tonk Women
Time Is On My Wise
in stock $17.75
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Review: DJ Paul Sitter is the don of Rostov On Don, a Russian outfit dedicated to supreme, sweatily serious breaks-rap cutups. En large comes 'Cha Cha Cha', with its angular piano hits and wide-panned, cowbell-topped, break-your-back breaks. 'Tambotito' contrasts with an obscurer breakbeat with drum tails whizzing like firecrackers, not to mention a sample of an original Panamanian vocal line hailing from a recording of a song in the titular genre.
… Read more in stock $17.19
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Cat: BBR 085. Rel: 23 Jun 25
Hip Hop/R&B
Review: Jim Sharp and Double A join forces for a transatlantic double-header that bridges golden-era hip-hop with deep soul roots and contemporary flair. On side A, Sharp's 'Clap Like That' flips Digable Planets' 'Cool Like Dat' into a head-nodding groove, stitching in Showbiz & AG's 'Soul Clap' for a dusty, feel-good redux that rides the line between nostalgia and dancefloor punch. It's a crisp, crate-dug edit that stays true to its 90s source while adding modern swing. Flip it for Double A's 'Talkn Bout' Practice', where J. Cole's 'Can't Get Enough' vocals weave into the funk-fuelled backbone of Booker T. & The M.G.'s 'Melting Pot'. The result is a rich, tempo-perfect rework that's both soulful and punchy, fusing eras without feeling forced. Together, the pair deliver two clean-cut DJ tools rooted in reverence, rhythm and replayability.
… Read more! low stock $17.19
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Cat: SOULDYNAMITE 013BLACK. Rel: 16 Jun 25
Funk/Reissues
Review: Sofian label Soul Dynamite sling a skilful slice over our way, assuring us of the finely appraised editing work of Plovdiv producer Skill. Flat caps, ochre-rimmed glasses and dug crates seem to surround Skill like bees to honey, as the self-professed "pioneer in the purveyance of soulful, funky and jazzy hip-hop" makes evident his own expertise in a monosyllabic name. Two seconds in and we already know that 'Tribute To The Godfather' refers to none other than James Brown; we hear his many rhythm-perfect funk "huhs" striating the a fearsome breaks opener. We conclude on the sax-furloughed 'Danger', which steers hip-hoppier, and sacrifices the original vocals from Brown for an unknown sample source, though the King Of Soul's reign is not lost on it.
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Review: A limited red vinyl edition of Sofian producer Skill's skilful 'Tribute To The Godfather', a simple yet effective 7" breaks edit outlining just how much tension and suspense can be fleshed out of a James Brown drum sample. Mr. James Brown, undoubtedly the linchpin of funk, is said to have been so tyrannically dictatorial during recordings that he would fire session drummers in a flash if they were slightly behind. Only a man with gangsta-level gusto could have squeezed this breakbeat out of a young Clyde Stubblefield, signalled by a decided "hit it now" from our sequin-flared compere.
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Cat: GEE 1004. Rel: 12 Jun 25
Roots/Lovers Rock
Review: Curtis Mayfield's tender falsetto and political lyrical activations made him one of soul's most distinctive and influential figures of the 70s. Addressing civil rights, urban life, and Black identity with rare grace, it's little wonder that his catalogue has since proved a goldmine for reinterpretation, where 'Move On Up', 'The Makings of You' and 'People Get Ready' continue to inspire covers over generations. Here, howsoever the decision was made, do Soul Shepherds reshake a less-known Mayfield favourite in dub, 'Give Me Your Love', a dark-horse ode to good lovin', originally track 6 on the soul star's great soundtrack to the pimpin' 70s film Superfly. "It's true, you're such a gun / Make my lungs sigh" go the brusque lyrics, proving the sensuousness of Mayfield's broadly applicable approach to love.
… Read morePlayed by: Osmose
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Review: Reggie Soul, aka Reginald Stone, had a brief but impactful recording career that included releasing just three 45 singles on different labels. His debut included the funk track 'I Got Jody' and the soulful 'I Feel So Bad' and his second single, a re-release of 'I Got Jody,' featured the miscredited 'Soul Walkin'.' In 1968, Reggie's third release, 'My World of Ecstasy/Mighty Good Loving' came out on Capri Records and was co-written with the Scott Brother,s who knew how to best showcase Reggie's soulful vocals, as supported by the Scott Brothers' house band. Recently uncovered, these two unreleased tracks, 'So Many Miles Away' and 'Groovy Thang' new fine examples of Reggie's versatility and further solidify his legacy in the soul scene.
… Read more in stock $19.15
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Review: With his third EP and second for this label, Seattle-based South American Martin Selasco's project continues to carve out a distinct space in the Balearic downtempo universe, radiating a sun-baked, cross-cultural charm that is worldly and intimate. Side-A opens with 'La Pantera', a smoky instrumental driven by a dubby pulse and layered Latin percussion, the track's hazy atmosphere and subtle melodic touches hinting at everything from tropical lounge to low-slung sound system culture. 'Descalzo' is more of a downtempo cumbia laced gem with light funk and breezy French-Island textures. The rhythm sways with a casual elegance, evoking barefoot dances at golden hour and lazy days under a beachside canopy. Effortlessly blending influences, this EP feels like a postcard from an imagined coastline that somewhere between Colombia, Guadeloupe and the Balearics.
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Got That Energy (Knoe1 mixes) (7" limited to 200 copies)
Cat: TSKNOE 003. Rel: 23 Jun 25
Funk/Reissues
Review: Unearthed from the vaults of funk veteran Tim Tucker, this fantastic Got That Energy EP delivers two unreleased boogie gems from the 80s that have been reworked by SoCal DJ and producer Knoe1. A lifelong musician and unsung hero of the scene, Tim always brought raw authenticity, while Knoe1 sharpens the sound for modern dancefloors. Title track 'Got That Energy' is a high-octane ass-shaker packed with punchy bass and irresistible swagger. On the flip, 'Don't Hesitate' slows the pace by blending emotional vocals and synth-soaked soul. This is pure summer heat for a range of different settings.
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Review: A reflective step sideways from the ever-restless Paul Weller, this new release finds the modfather reinterpreting the music that shaped him with measured reverence. Not just a covers project, but a kind of internal cartography-charting influences that feel intimate and formative. The standout 'Lawdy Rolla' is loose and lived-in, a bluesy drawl that lands somewhere between campfire spiritual and basement jam. On the flip, 'Pinball' is rendered with fragile grace, stripped of Pete Townshend's original angst and reimagined as something more quietly resigned. With guests including Noel Gallagher, Robert Plant and Seckou Keita, it's a record driven less by ego than memory. Produced with warmth by Ocean Colour Scene's Steve Cradock, it's an understated, deeply felt offering from an artist still unafraid to look inward.
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