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Back in stock: All genres
All genres vinyl represses and restocks
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Review: The fledgling WEorUS label rolls out more stylish, minimal and tech here from a trio of artists. Andrade goes first with 'Kubernetes,' a driving minimal house cut packed with hefty groove. It is followed by 'Content Security Policy' which is a slick, rhythm-forward roller that locks you into its flow. Flip to side-B and get swept into Dragosh's 'One Way,' a deep, hypnotic workout that's all tension and release and rounding off the trip is Fabrizio Siano's 'Control Your Emotions,' a poignant, late-night burner that delivers introspection through rhythm.
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Yeah Yeah Yeah Yeah EP (reissue + 7 bonus tracks) (LP + MP3 download code)
Cat: BK 003LP. Rel: 08 Apr 14
Punk/Hardcore
Review: This is a reissue of Bikini Kill's second EP, "Yeah Yeah Yeah Yeah". Recorded in 1992 with Tim Green (Nation Of Ulysses) at The Embassyia group-house in Washington, DC, it was the first Bikini Kill release to feature the band's song, "Rebel Girl." Originally a split EP with the Brighton, UK-based band, Huggy Bear, the B-side now features seven previously unreleased Bikini Kill songs drawn from era-appropriate live shows and practice tapes. The artwork has also been updated to include archival photos and liner notes from the Bratmobile's Erin Smith, Comet Gain's David Feck, and the members of Bikini Kill.
Bikini Kill was a feminist punk band based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. Kathleen Hanna sang, Tobi Vail played drums, Billy Karren (aka Billy Boredom) played guitar and Kathi Wilcox played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early '90s via their political lyrics, zines, and confrontational live performances. This EP is the second release in a larger campaign to reissue the complete Bikini Kill catalog on vinyl and CD.
… Read moreBikini Kill was a feminist punk band based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. Kathleen Hanna sang, Tobi Vail played drums, Billy Karren (aka Billy Boredom) played guitar and Kathi Wilcox played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early '90s via their political lyrics, zines, and confrontational live performances. This EP is the second release in a larger campaign to reissue the complete Bikini Kill catalog on vinyl and CD.
Played by: Juno Recommends Rock/Indie
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Country Creatures (remixes) (heavyweight vinyl 12")
Cat: 695808 9146. Rel: 04 Nov 19
Experimental/Electronic
Review: A fierce meeting of minds you may never have expected, but that makes total sense - the mighty Bjork crossing swords with Fever Ray in an exchange of remixes with blistering results. Iceland's foremost musical visionary is in full warrior mode as she tackles Fever Ray's "This Country Makes It Hard To Fuck", delivering a nightmarish techno jackhammer full of monolithic kicks and sheet metal scrapings. Then Bjork's "Features Creatures" gets two versions from Karin Dreijer - first the Fever Ray remix that pumps and locks in an otherworldly mechanism that wouldn't sound out of place on one of Bjork's Mark Bell-produced albums. Then comes a sprightly version from Dreijer's other project, The Knife, which bounds along at an urgent pace with a skippy rhythm section and plenty of hyphy synth vamps.
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Review: Keeping firm to the now well-trodden "Scientist meets" formula, this release through Convent once again hears Joseph Alpern aka. J Gabriel absorb the dubbing wiles of Hopeton Brown into his own minimal techno laboratory. 'Fly Again' follows up the first Scientist collab 'Too Far Gone' from 2023 with yet another red snapper, and comes backed by heated reworks from Steve O'Sullivan and Bluetrain, each of whose generosities know few bounds (they offer two and three remixes each!).
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Review: Tom Carruthers returns with a fresh drop on Syncrophone Records, comprising the fresh analogue jams 'From Within', 'Zone', 'No Frequency' and 'Malfunction'. All hitting hard with an old-school, sequencer-happy flavour, one which requires no second-guessing, our faves here have to be the basal FM roller 'Zone' and the brash, trashyard B-fronter 'No Frequency', both of which make deft use of the same bassline, yet each to drastically different effec.
… Read morePlayed by: ROTCIV, Ney Faustini
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Review: There is nothing subtle about these mash ups. They are big tunes to blast mud from any sealer you can get your hands on. Block party starting rip snorters, each one draws on a wealth of hip hop standards from Slick Rick to Notorious BIG. Audacious, shabby hitting and full flavour, they are restless and energetic edits designed for nothing other than dance floor destruction. "Love Be Faithful" kicks off with big beats and flutes, iconic vocals and more, while "How We Rumpshake" is a slicker rap jam turned low riding bumper.
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Review: Nearly half a century after The Glow Of Love lit up dancefloors from Bologna to New York, Change return with Embrace: a sleek continuation of their post-hiatus revival, carrying the modern Italo dance group's name after early designs to release it as a Tanya Michelle Smith solo project. Produced by Stefano Colombo with input from founding maestro Mauro Malavasi, who also oversaw the title and artwork, the record builds on 2018's Love 4 Love with a dozen tracks folding disco, soul, and modern boogie into a freshly polished polygon of sprightly designer disco. While just 500 copies of the vinyl edition exist, the CD edition here exists in droves, and is sure to set any missed trick right.
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Review: Renato Cohen has been kicking out jams of all shapes and sizes for many years, but this new outing on French house classicists Skylax amounts to some of his best work in ages. 'Roaring' is a disco-tech cut with dazzling arps loping in sugar, pixelated circles over the striking beats. 'We Desert' then gets more loose with synths spraying about with a mind of their own and plenty of cosmic colour. On the flip, the open gets reworked twice, first into a more heads down and bendy acid workout for the afters and also as a hands-in-the-air piano Balearic classic.
… Read morePlayed by: Fog
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Lonely Night (reissue) (limited yellow & red splattered vinyl 12")
Cat: MAXI 117112. Rel: 16 May 25
Disco/Re-Edits
Review: Italian trio Colours shared only three singles with the world, and all were made in the hotbed period of 1985-86, when labels such as Discomagic monopolised the roost. 'Lonely Night' was their manifest magic trick; its poking, reverb-slurried lead is a slick staccato, upon which a lonesome vocal line by singer Mauro Santoro calls out into the night from the picture window. A kind of emo efflux is at play, where the 80s fascination with vulnerability is set to the brunt-borne, sublimated beat of the discotheque. Little is known about this band save for Santoro, making this a collectors item less concerned with band BTS or making-of shenanigans, and more the inherently appreciable shape of a sound.
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Review: Jazz fans take note: Both Directions at Once: The Lost Album more than lives up to its name. It features previously unreleased recordings by the late, great John Coltrane and his regular accompanying players (pianist McCoy Tyner, bassist Jimmy Garrison and Drummer Elvin Jones). The reels of tape the tracks were salvaged from were dated 1963, around the time that the quartet laid down some of its most forward-thinking work for the legendary Impulse label. Much of the material consists of original Coltrane compilations, though there are a few notable covers (including a great version of jazz standard "Nature Boy") dotted throughout. As you'd expect, Coltrane's performance is incredible from start to finish.
… Read morePlayed by: Dom Servini
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Review: Pretty much does what it says on the tin, this one. Classic Tyree Cooper productions in all their glory, plus some remixes of them from fellow US greats. Cooper was, of course, an early pioneer of what was known as hip-house - a raw mix of hip-hop and house that was short-lived, probably because the man himself perfected it and few could ever do much more with the blueprint. 'Hardcore Hip House (Tony Humphries mix re-edit)' is dusty, raw, piano-laced house excellence, 'Acid Over (Mike Dunn edit)' is a more frenzied 303 workout and 'I Fear The Night (feat Chic - vocal mix)' is a jack track for dark and strobe lit floors. 'Video Crash' shuts down with a coarse and textural collision of drums, synths and crashing hits.
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Review: Following a brief hiatus to recharge his batteries following the release of the genuinely fantastic Evergreen album on Freerange last year, Ben J Worral brings his Crackazat project back to Heist Recordings. With six tracks on show, there's plenty to set the senses tingling, from the jazzy, dreamy and soulful downtempo beats of impeccable opener 'I Need To Know' and the joyous, piano-sporting sunshine house excellence of 'Do You Think About Me', to the rising, subtly jazz-flecked deep house perfection of 'Freddie's Groove' (a kind of Crackazat update of Pepe Bradock's 'Deep Burnt', with added horns) and the broken jazz-house-soul of Potash Twins collaboration 'Phantom'. Jazz-funk flavoured broken beat gem 'Endless Life' and the Guru's Jazzamatazz-esque 'When We Last Met' complete a fantastic EP.
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Review: Daisychain's Mamasei EP on Planet Rhythm is a high-energy techno release that pushes boundaries with its use of a famous vocal from a certain late pop star with a fondness for monkeys and fairgroudn rides. Side-1 features a remastered version of 'Mamasei' , a powerful techno track that delivers an intense, full-throttle experience, ideal for peak moments on the dancefloor. On Side-2, the 'Mamasei' (Paula Cazenave remix) offers a different take, with a more stripped-down approach in parts. Despite the minimalism, it builds to a compelling peak, maintaining the track's high energy while providing a fresh perspective.
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Review: The Dutch pair once known as Detroit Swindle and now going by the Dam Swindle alias (they hail from Amsterdam) return on their own Heist label with a trio of well-designed sounds. 'That's Right' is a 'copy, dusty, disco-tinged house cut for sunny climates and feel-good parties. 'Minor Fools' then taps into a 90s New York house vibe with bouncy drums and bass. Last of all is 'Soul's Lament' with its laidback grooves and swirling soulful pads. A trio of excellent genre studies from this pair.
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Review: The Master Jams label has been active for five years now, but this is only its fourth release. And mores the pity to be honest because they always serve real deal house music direct from the source in the United States. They don't come much more revered than Chez Damier, the former Prescription man turned Balance label boss. His house sound is deep, soulful, perfect. The four cuts here show that with vocal stunner 'Your Love' melting your heart, the DJ Aly dub making things more club ready then a Stephan Hoellermann remix and Ron Trent & Chez remix closing out the flip with two lovely house jams.
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DARK VEKTOR / LARGE SCALE AGGRESSOR / VEMA DIODES / SPECTRUMS DATA FORCES / ODR LUPSDIGGA / BOCABEATS
No Future (translucent yellow marbled vinyl 12" + insert)
Cat: DLPF 003. Rel: 30 May 25
Electro
in stock $19.78
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Review: DC11's approach to techno is that he is always trying to find the perfect loop. Whether or not he thinks he has on this latest EP for Dutch label TH Tar Hallow, he sure does hit a nice sweet spot between dub, techno, depth and drive. 'Forced Removal' is a fierce opener with twitchy synths peeling off the muscular drums. The hulking great groove of 'A Vast Reserve Of Indifference' keeps the pressure on while 'Florus' is lit up with synths that shiver across the face of the drums. After a locked groove comes the menacing funk of 'Terribly Partial.' Serious tackle.
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Review: Mysterious edits pushers Discotecas worship a mysterious figure known as 'Gwen', the artist supposedly responsible for making these EPs. Their second instalment here comes in the form of a laid-back, electro-balearic affair replete with several layers of bass guitar, lolling synth and acoustic-mimicking percs. A remix of Sade's 'Paradise' leads the charge, centring her harmonious vocals at the core of the mix, while two further unknown re-edits cement the overall nine minute disco vibe.
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Practice Yo! Cuts Vol 1 & 2 Remixed (B-STOCK) (coloured vinyl 7")
Cat: TTW 003 (B-STOCK). Rel: 01 Jan 90
DJ Tools
B-STOCK: Sleeve damaged but otherwise in excellent condition
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Cat: BBE 438SLP5. Rel: 01 Oct 21
Funky/Club House
Played by: Juno Recommends Funky House, Ricardo Miranda
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Cat: FW 283. Rel: 23 Nov 23
Broken Beat/Nu Jazz/Nu Soul
Review: First Word Records present a new album from Don Leisure with Amanda Whiting. Beyond The Midnight Sun expands upon ground first explored on Don Leisure's track 'All Praises Due', which also featured harpist Amanda (with Angel Bat Dawid), and featured on his previous album 'Shaboo Strikes Back'. This is a full-length project on which these two formidable Welsh artists have collaborated together. "The project is a journey down the road that was revealed to me on 'All Praises Due' on 'Shaboo Strikes Back'. I wanted to move in a different direction from the beat tape format on my previous releases while still maintaining the core Don Leisure sound, fused with live instrumentation and vocals etc". A seven-track affair comprised of delectable spiritual jazz fused with hip hop beats, psychedelic electronics and a touch of soul.
… Read morePlayed by: * Record Breakin' Music *
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Review: Leftfield heroes Don't DJ and NWAQ (aka Newworldaquarium) nudge their own sonic boundaries on Fashion, a fantastic mini album for on Meakusma. The tracks were recorded live at Meakusma Festival 2019 and at a residency preceding the Belgian event and fuse weird percussive techniques, glassy synths and airy light house with abstracted techno sound. It's a collage of sonic experiments that burrows deep into your brain one moment ('Central Bern/No Burn') and then sooth you the next ('Vanessa'). It's is the collision of two distinctive styles and thrilling new ground that is found as a result that makes this such a compelling record.
… Read morePlayed by: Richard Zepezauer (RZ-1)
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Cat: MIG 03432. Rel: 05 Jun 25
Progressive Rock
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Review: What would it take to universalise disco so that every brain sandwiched between two ears could hear and take to the sound like glue? Eddie C and Keita Sano continue a protracted research study in the pursuit of an answer, bringing three new dream-heaters to contrast to their original two in the series' debut, 'Disko Universal' and 'Joy Joy Joy'. Here, 'Not This Time' stands out among a trifecta of well-doused house rousers, steeped in the attenuated, bubblier deep end of a soulful disco-garage-house tradition.
… Read morePlayed by: Rayko
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Review: Mutual Response first appeared with its inaugural release back in 2023, so this second one has been a long time in the making. It's the Brit-based Dockett Eddy who runs the Turnend Tapes label who steps up and brings some invention to four tracks of deeply atmospheric techno. 'Monofly' has modulated synth bleeps and squeaks and smeared pads, making it a trippy and futuristic sound, while 'Delayed Response' is slow, heavy and marbled with sombre, downcast chords that make it an introspective delight. '00:04' has a lithe, jittery rhythm with eerie pad swirls up top and 'Tapeline' brings a bit of late-night urban grit and cosmic eeriness. It's a moody EP, this, but one that is always intriguing and inviting.
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Played by: From P60
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Review: The Space Trace label keeps quality high with this fourth outing on wax. Eric Os is on the button for this one with 'Underworld' first to lure you into its world with gently broken bets and moody pads setting an eerie tone. 'Stereophysical' is more jacked up with fizzing synth lines and warped pads over future house beats and 'Elusive' bringing some trance energy to its flashy, bright synths. 'Electrodreammachine' is a wonky electro workout with withering sci-fi motifs, puling synth sequences and raw hits. 'Feeling Real' and 'Cherry Red' complete the EP with more blends of house, electroclash and sleazy guitar riffs.
… Read morePlayed by: Juno Recommends Minimal Tech
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1999 Love Story EP (hand-numbered hand-stamped 12" in hand-painted sleeve limited to 100 copies)
Cat: SOUR 004. Rel: 12 May 25
Deep House
Review: Something ineluctable about the year 1999 haunts music. It's as though the cusp of the millennium wrought a flurry of pre-terror romance, that last slice of postwar epochal gold reaching an ecstatic, elliptical peak before the crossing of a limp, millenarian threshold. Ernesto's second EP for French label Sour leaves us as loosened and open as any such nostalgic rendezvous could, assuming you were born before the fated date. Over brilliants like 'Morning Sweat' and 'Hardware Boogie', the producer joins the likes of Moop Jr. and Lekind in crafting timbral and sophisticated tactiles, chunked analogue basses and filter-designed keys, deepening and advancing our taste in Gay Paree sensuality.
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Review: Sardinian duo Enrica Falqui and Claudio PRC bring their respective signature sounds to this new collaborative EP on the Swiss label Adam's Bite. The two experienced studio hands kick off with 'Synapse', which has an enthuse, throbbing low end that forms the foundation for expressive synth craft. 'Amygdala' is named after the mass of grey matter in our brains which is involved in the experiencing of emotions and pairs deft, curious melodic waifs with chunky tech drums. 'Receptor' sinks back down into a moody, heads down and dub tech roller and 'Lucid Dreams' brings the sort of synth colours and low-end tension that will keep you awake all night.
… Read morePlayed by: Black Pomade
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